13 items found
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Pablo Picasso, Le Déjeuner sur l’herbe d’après, published c1962
£650Pablo Picasso, Le Déjeuner sur l’herbe d’après, published c1962
From 1959-1962 Pablo Picasso and his second wife Jacqueline lived at Château de Vauvenargues near Aix-en-Provence. He spent most of his time of his time on 140 drawings and 27 paintings, lino-cuts and cardboard models all on the theme of Manet’s, Le Déjeuner sur l’herbe. Manet's original painting from 1862 showed a nude woman sitting between two fully clothed men was a scandal for the time.£650 -
The George Inn, Borough High Street
£600The George Inn, Borough High Street
Typical heavy impasto work of Ben Maile painted in 1969. Framed£600 -
Pablo Picasso, Lithograph based on Edouard Manet’s, Luncheon on the the Grass. c1962
£550Pablo Picasso, Lithograph based on Edouard Manet’s, Luncheon on the the Grass. c1962
From 1959-1962 Pablo Picasso and his second wife Jacqueline lived at Château de Vauvenargues near Aix-en-Provence. He spent most of his time of his time on 140 drawings and 27 paintings, lino-cuts and cardboard models all on the theme of Manet’s, Le Déjeuner sur l’herbe. Manet's original painting from 1862 showing a nude woman sitting between two fully clothed men was a scandal for the time.£550 -
Pablo Picasso, Lithograph of a Study for the Reworking of Edouard Manet’s, Luncheon on the the Grass. c1962
£350Pablo Picasso, Lithograph of a Study for the Reworking of Edouard Manet’s, Luncheon on the the Grass. c1962
From 1959-1962 Pablo Picasso and his second wife Jacqueline lived at Château de Vauvenargues near Aix-en-Provence. He spent most of his time of his time on 140 drawings and 27 paintings, lino-cuts and cardboard models all on the theme of Manet’s, Le Déjeuner sur l’herbe. Manet's original painting from 1862 showing a nude woman sitting between two fully clothed men was a scandal for the time.£350 -
Pablo Picasso, Lithograph of a Bather Study of Edouard Manet’s, Luncheon on the the Grass. c1962
£350Pablo Picasso, Lithograph of a Bather Study of Edouard Manet’s, Luncheon on the the Grass. c1962
From 1959-1962 Pablo Picasso and his second wife Jacqueline lived at Château de Vauvenargues near Aix-en-Provence. He spent most of his time of his time on 140 drawings and 27 paintings, lino-cuts and cardboard models all on the theme of Manet’s, Le Déjeuner sur l’herbe. Manet's original painting from 1862 showing a nude woman sitting between two fully clothed men was a scandal for the time.£350 -
Pablo Picasso, Lithograph of a Head Study of Edouard Manet’s, Luncheon on the the Grass. c1962
£350Pablo Picasso, Lithograph of a Head Study of Edouard Manet’s, Luncheon on the the Grass. c1962
From 1959-1962 Pablo Picasso and his second wife Jacqueline lived at Château de Vauvenargues near Aix-en-Provence. He spent most of his time of his time on 140 drawings and 27 paintings, lino-cuts and cardboard models all on the theme of Manet’s, Le Déjeuner sur l’herbe. Manet's original painting from 1862 showing a nude woman sitting between two fully clothed men was a scandal for the time.£350 -
The Posters of Picasso,
£195 eachThe Posters of Picasso,
Original lithographs showing the output of Picasso for his exhibition posters. Mounted and framed black.£195 each -
The Posters of Picasso,
£195 eachThe Posters of Picasso,
Original lithographs showing the output of Picasso for his exhibition posters. Mounted and framed black.£195 each -
The Posters of Picasso,
£195 eachThe Posters of Picasso,
Original lithographs showing the output of Picasso for his exhibition posters. Mounted and framed black.£195 each -
The Posters of Picasso
£195 eachThe Posters of Picasso
Original lithographs showing the output of Picasso for his exhibition posters. Mounted and framed black.£195 each -
The Posters of Picasso
£195 eachThe Posters of Picasso
Original lithographs showing the output of Picasso for his exhibition posters. Mounted and framed black.£195 each -
The Posters of Picasso
£195 eachThe Posters of Picasso
Original lithographs showing the output of Picasso for his exhibition posters. Mounted and framed black.£195 each -
1960s ‘Modric’ aluminium door handles,
£135 a pair1960s ‘Modric’ aluminium door handles,
with rectangular backplates, originally designed by Knud Holscher and Alan Tye£135 a pair
Featured Items
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Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
Figure by Georges Braque, Verve Vol 2 / No. 5-6.
£800Figure by Georges Braque, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800