64 items found
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Henri Matisse, Nu Bleu I
£1,750 eachHenri Matisse, Nu Bleu I
The foreword states: 'This double number of Verve is entirely dedicated to the last works of Matisse - 1950-1954. Reproduced in colour lithography, these works have been realised by the artist with papers coloured in gouache, cut with scissors and pasted. They are shown here with drawings executed at the same time or during the preceding period. Matisse composed the cover specially for this volume. These first lithographic plates were printed during the year 1954 under his direction. The printing of the lithographs in colour by Mourlot Frères and that of the photogravure reproductions and the typography by the master printers Draeger Frères, was completed in Paris on the 28th day of July 1958.'£1,750 each -
Henri Matisse, Nu Bleu II
£1,750 eachHenri Matisse, Nu Bleu II
The foreword states: 'This double number of Verve is entirely dedicated to the last works of Matisse - 1950-1954. Reproduced in colour lithography, these works have been realised by the artist with papers coloured in gouache, cut with scissors and pasted. They are shown here with drawings executed at the same time or during the preceding period. Matisse composed the cover specially for this volume. These first lithographic plates were printed during the year 1954 under his direction. The printing of the lithographs in colour by Mourlot Frères and that of the photogravure reproductions and the typography by the master printers Draeger Frères, was completed in Paris on the 28th day of July 1958.'£1,750 each -
Henri Matisse, Nu Bleu IV
£1,750 eachHenri Matisse, Nu Bleu IV
The foreword states: 'This double number of Verve is entirely dedicated to the last works of Matisse - 1950-1954. Reproduced in colour lithography, these works have been realised by the artist with papers coloured in gouache, cut with scissors and pasted. They are shown here with drawings executed at the same time or during the preceding period. Matisse composed the cover specially for this volume. These first lithographic plates were printed during the year 1954 under his direction. The printing of the lithographs in colour by Mourlot Frères and that of the photogravure reproductions and the typography by the master printers Draeger Frères, was completed in Paris on the 28th day of July 1958.'£1,750 each -
Henri Matisse, Nu Bleu X
£1,750 eachHenri Matisse, Nu Bleu X
The foreword states: 'This double number of Verve is entirely dedicated to the last works of Matisse - 1950-1954. Reproduced in colour lithography, these works have been realised by the artist with papers coloured in gouache, cut with scissors and pasted. They are shown here with drawings executed at the same time or during the preceding period. Matisse composed the cover specially for this volume. These first lithographic plates were printed during the year 1954 under his direction. The printing of the lithographs in colour by Mourlot Frères and that of the photogravure reproductions and the typography by the master printers Draeger Frères, was completed in Paris on the 28th day of July 1958.'£1,750 each -
Henri Matisse, Nu Bleu V
£1,750 eachHenri Matisse, Nu Bleu V
The foreword states: 'This double number of Verve is entirely dedicated to the last works of Matisse - 1950-1954. Reproduced in colour lithography, these works have been realised by the artist with papers coloured in gouache, cut with scissors and pasted. They are shown here with drawings executed at the same time or during the preceding period. Matisse composed the cover specially for this volume. These first lithographic plates were printed during the year 1954 under his direction. The printing of the lithographs in colour by Mourlot Frères and that of the photogravure reproductions and the typography by the master printers Draeger Frères, was completed in Paris on the 28th day of July 1958.'£1,750 each -
Henri Matisse, Nu Bleu VIII
£1,750 eachHenri Matisse, Nu Bleu VIII
The foreword states: 'This double number of Verve is entirely dedicated to the last works of Matisse - 1950-1954. Reproduced in colour lithography, these works have been realised by the artist with papers coloured in gouache, cut with scissors and pasted. They are shown here with drawings executed at the same time or during the preceding period. Matisse composed the cover specially for this volume. These first lithographic plates were printed during the year 1954 under his direction. The printing of the lithographs in colour by Mourlot Frères and that of the photogravure reproductions and the typography by the master printers Draeger Frères, was completed in Paris on the 28th day of July 1958.'£1,750 each -
Set of Walter Bosse coat hooks
£1,500 the set -
Twentieth century Turkish Kars rug,
£1,450Twentieth century Turkish Kars rug,
the bold geometric design on ivory ground, the red field centred by medallion.£1,450 -
Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954
£795 eachPicasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954
Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.£795 each -
Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954
£795 eachPicasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954
Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.£795 each -
Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954
£795 eachPicasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954
Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.£795 each -
Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954
£795 eachPicasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954
Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.£795 each -
Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954
£795 eachPicasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954
Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.£795 each -
Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954
£795 eachPicasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954
Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.£795 each -
Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954
£795 eachPicasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954
Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.£795 each -
Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954
£795 eachPicasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954
Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.£795 each -
Set of six pairs of Yale chrome door knobs,
£600 the setSet of six pairs of Yale chrome door knobs,
with redded band to the spherical handle and door-plate. Sold as a set£600 the set -
George Braque lithograph published for Verve, vol. VIII No 31/32
£450 eachGeorge Braque lithograph published for Verve, vol. VIII No 31/32
Original lithograph, published 1955 for Verve, vol. VIII No 31/32, The Intimate Sketchbooks of G. Braque. Gilt framed.£450 each -
George Braque lithograph published for Verve, vol. VIII No 31/32
£450 eachGeorge Braque lithograph published for Verve, vol. VIII No 31/32
Original lithograph, published 1955 for Verve, vol. VIII No 31/32, The Intimate Sketchbooks of G. Braque. Gilt framed.£450 each -
George Braque lithograph published for Verve, vol. VIII No 31/32
£450 eachGeorge Braque lithograph published for Verve, vol. VIII No 31/32
Original lithograph, published 1955 for Verve, vol. VIII No 31/32, The Intimate Sketchbooks of G. Braque. Gilt framed.£450 each -
Kittens and Rabbits
£420 -
Picasso, Verve 1954
£295Picasso, Verve 1954
Original héliogravure print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.£295 -
Picasso, Verve 1954
£295Picasso, Verve 1954
Original héliogravure print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.£295 -
Picasso, Verve 1954
£295Picasso, Verve 1954
Original héliogravure print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.£295 -
Picasso, Verve 1954
£295Picasso, Verve 1954
Original héliogravure print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.£295 -
Picasso, Verve 1954
£295Picasso, Verve 1954
Original héliogravure print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.£295 -
Picasso, Verve 1954
£295Picasso, Verve 1954
Original héliogravure print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.£295 -
Picasso, Verve 1954
£295Picasso, Verve 1954
Original héliogravure print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.£295 -
Picasso, Verve 1954
£295Picasso, Verve 1954
Original heliograuvre print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.£295 -
Picasso, Verve 1954
£295Picasso, Verve 1954
Original héliogravure print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.£295 -
Picasso, Verve 1954
£295Picasso, Verve 1954
Original héliogravure print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.£295 -
Sir Winston Churchill
£270Sir Winston Churchill
A framed, Mid 20th Century lithograph depicting Sir Winston Churchill in the manner of the controversial and now lost John Sutherland portrait of 1949.£270 -
The works of George Roualt. ‘Mr. X’, 1911,
£225The works of George Roualt. ‘Mr. X’, 1911,
Although Georges Rouault a contemporary of Cubism, Expressionism and Fauvism, he never formally associated himself with any of these movements. As an independent he found his inspiration in the realities of everyday life and in religious subjects which he imbued with an authentic spirituality. Early in his career Parisian art dealer, Ambroise Vollard, bought the full contents of Georges Rouault’s studio. The artist agreed on the condition that he could finish his work at his own pace. Most of his works represented circus figures, religious subjects or landscapes.£225 -
The works of George Roualt. ‘Crucifixion’, c.1918,
£225The works of George Roualt. ‘Crucifixion’, c.1918,
Although Georges Rouault a contemporary of Cubism, Expressionism and Fauvism, he never formally associated himself with any of these movements. As an independent he found his inspiration in the realities of everyday life and in religious subjects which he imbued with an authentic spirituality. Early in his career Parisian art dealer, Ambroise Vollard, bought the full contents of Georges Rouault’s studio. The artist agreed on the condition that he could finish his work at his own pace. Most of his works represented circus figures, religious subjects or landscapes.£225 -
The works of George Roualt. ‘Christ and Two Disciples’, c.1935,
£225The works of George Roualt. ‘Christ and Two Disciples’, c.1935,
Although Georges Rouault a contemporary of Cubism, Expressionism and Fauvism, he never formally associated himself with any of these movements. As an independent he found his inspiration in the realities of everyday life and in religious subjects which he imbued with an authentic spirituality. Early in his career Parisian art dealer, Ambroise Vollard, bought the full contents of Georges Rouault’s studio. The artist agreed on the condition that he could finish his work at his own pace. Most of his works represented circus figures, religious subjects or landscapes.£225 -
The works of George Roualt. ‘Christ Mocked by Soldiers’, 1932,
£225The works of George Roualt. ‘Christ Mocked by Soldiers’, 1932,
Although Georges Rouault a contemporary of Cubism, Expressionism and Fauvism, he never formally associated himself with any of these movements. As an independent he found his inspiration in the realities of everyday life and in religious subjects which he imbued with an authentic spirituality. Early in his career Parisian art dealer, Ambroise Vollard, bought the full contents of Georges Rouault’s studio. The artist agreed on the condition that he could finish his work at his own pace. Most of his works represented circus figures, religious subjects or landscapes.£225 -
The works of George Roualt. ‘Bouquet’, c.1938,
£225The works of George Roualt. ‘Bouquet’, c.1938,
Although Georges Rouault a contemporary of Cubism, Expressionism and Fauvism, he never formally associated himself with any of these movements. As an independent he found his inspiration in the realities of everyday life and in religious subjects which he imbued with an authentic spirituality. Early in his career Parisian art dealer, Ambroise Vollard, bought the full contents of Georges Rouault’s studio. The artist agreed on the condition that he could finish his work at his own pace. Most of his works represented circus figures, religious subjects or landscapes.£225 -
The works of George Roualt. ‘The Old King’, c.1916-36,
£225The works of George Roualt. ‘The Old King’, c.1916-36,
Although Georges Rouault a contemporary of Cubism, Expressionism and Fauvism, he never formally associated himself with any of these movements. As an independent he found his inspiration in the realities of everyday life and in religious subjects which he imbued with an authentic spirituality. Early in his career Parisian art dealer, Ambroise Vollard, bought the full contents of Georges Rouault’s studio. The artist agreed on the condition that he could finish his work at his own pace. Most of his works represented circus figures, religious subjects or landscapes.£225 -
The works of George Roualt. ‘Portrait of Verlaine’, c.1938,
£225The works of George Roualt. ‘Portrait of Verlaine’, c.1938,
Although Georges Rouault a contemporary of Cubism, Expressionism and Fauvism, he never formally associated himself with any of these movements. As an independent he found his inspiration in the realities of everyday life and in religious subjects which he imbued with an authentic spirituality. Early in his career Parisian art dealer, Ambroise Vollard, bought the full contents of Georges Rouault’s studio. The artist agreed on the condition that he could finish his work at his own pace. Most of his works represented circus figures, religious subjects or landscapes.£225 -
The works of George Roualt. ‘The English Clown’, 1938-39,
£225The works of George Roualt. ‘The English Clown’, 1938-39,
Although Georges Rouault a contemporary of Cubism, Expressionism and Fauvism, he never formally associated himself with any of these movements. As an independent he found his inspiration in the realities of everyday life and in religious subjects which he imbued with an authentic spirituality. Early in his career Parisian art dealer, Ambroise Vollard, bought the full contents of Georges Rouault’s studio. The artist agreed on the condition that he could finish his work at his own pace. Most of his works represented circus figures, religious subjects or landscapes.£225 -
The works of George Roualt. ‘Three Judges’, 1918,
£225The works of George Roualt. ‘Three Judges’, 1918,
Although Georges Rouault a contemporary of Cubism, Expressionism and Fauvism, he never formally associated himself with any of these movements. As an independent he found his inspiration in the realities of everyday life and in religious subjects which he imbued with an authentic spirituality. Early in his career Parisian art dealer, Ambroise Vollard, bought the full contents of Georges Rouault’s studio. The artist agreed on the condition that he could finish his work at his own pace. Most of his works represented circus figures, religious subjects or landscapes.£225 -
The works of George Roualt. ‘Parade’, 1907,
£225The works of George Roualt. ‘Parade’, 1907,
Although Georges Rouault a contemporary of Cubism, Expressionism and Fauvism, he never formally associated himself with any of these movements. As an independent he found his inspiration in the realities of everyday life and in religious subjects which he imbued with an authentic spirituality. Early in his career Parisian art dealer, Ambroise Vollard, bought the full contents of Georges Rouault’s studio. The artist agreed on the condition that he could finish his work at his own pace. Most of his works represented circus figures, religious subjects or landscapes.£225 -
The works of George Roualt. ‘The Humane Landscape’, 1928,
£225The works of George Roualt. ‘The Humane Landscape’, 1928,
Although Georges Rouault a contemporary of Cubism, Expressionism and Fauvism, he never formally associated himself with any of these movements. As an independent he found his inspiration in the realities of everyday life and in religious subjects which he imbued with an authentic spirituality. Early in his career Parisian art dealer, Ambroise Vollard, bought the full contents of Georges Rouault’s studio. The artist agreed on the condition that he could finish his work at his own pace. Most of his works represented circus figures, religious subjects or landscapes.£225 -
The works of George Roualt. ‘The Funeral’, 1930,
£225The works of George Roualt. ‘The Funeral’, 1930,
Although Georges Rouault a contemporary of Cubism, Expressionism and Fauvism, he never formally associated himself with any of these movements. As an independent he found his inspiration in the realities of everyday life and in religious subjects which he imbued with an authentic spirituality. Early in his career Parisian art dealer, Ambroise Vollard, bought the full contents of Georges Rouault’s studio. The artist agreed on the condition that he could finish his work at his own pace. Most of his works represented circus figures, religious subjects or landscapes.£225 -
The works of George Roualt. ‘Three Clowns’, 1917,
£225The works of George Roualt. ‘Three Clowns’, 1917,
Although Georges Rouault a contemporary of Cubism, Expressionism and Fauvism, he never formally associated himself with any of these movements. As an independent he found his inspiration in the realities of everyday life and in religious subjects which he imbued with an authentic spirituality. Early in his career Parisian art dealer, Ambroise Vollard, bought the full contents of Georges Rouault’s studio. The artist agreed on the condition that he could finish his work at his own pace. Most of his works represented circus figures, religious subjects or landscapes.£225 -
The works of George Roualt. ‘Nudes’, c.1907,
£225The works of George Roualt. ‘Nudes’, c.1907,
Although Georges Rouault a contemporary of Cubism, Expressionism and Fauvism, he never formally associated himself with any of these movements. As an independent he found his inspiration in the realities of everyday life and in religious subjects which he imbued with an authentic spirituality. Early in his career Parisian art dealer, Ambroise Vollard, bought the full contents of Georges Rouault’s studio. The artist agreed on the condition that he could finish his work at his own pace. Most of his works represented circus figures, religious subjects or landscapes.£225 -
The works of George Roualt. ‘The Wise Pierrot, 1945’,
£225The works of George Roualt. ‘The Wise Pierrot, 1945’,
Although Georges Rouault a contemporary of Cubism, Expressionism and Fauvism, he never formally associated himself with any of these movements. As an independent he found his inspiration in the realities of everyday life and in religious subjects which he imbued with an authentic spirituality. Early in his career Parisian art dealer, Ambroise Vollard, bought the full contents of Georges Rouault’s studio. The artist agreed on the condition that he could finish his work at his own pace. Most of his works represented circus figures, religious subjects or landscapes.£225 -
The works of George Roualt. ‘The Flight into Egypt, 1948’,
£225The works of George Roualt. ‘The Flight into Egypt, 1948’,
Although Georges Rouault a contemporary of Cubism, Expressionism and Fauvism, he never formally associated himself with any of these movements. As an independent he found his inspiration in the realities of everyday life and in religious subjects which he imbued with an authentic spirituality. Early in his career Parisian art dealer, Ambroise Vollard, bought the full contents of Georges Rouault’s studio. The artist agreed on the condition that he could finish his work at his own pace. Most of his works represented circus figures, religious subjects or landscapes.£225 -
Cahiers D’Art 1953
£220Cahiers D’Art 1953
Cahiers D’Art was a journal, founded by the art critic Christian Zervos, in Paris at 14, rue du Dragon. It was published from 1926 to 1960, with a wartime interruption 1941 to 1943. Zervos was a Greek-French art historian, critic, collector, writer and publisher. The journal was noted for the quality of its articles and illustrations which unusually promoted Modern Art from all over the world rather than just Europe.£220 -
Cahiers D’Art 1953
£220Cahiers D’Art 1953
Cahiers D’Art was a journal, founded by the art critic Christian Zervos, in Paris at 14, rue du Dragon. It was published from 1926 to 1960, with a wartime interruption 1941 to 1943. Zervos was a Greek-French art historian, critic, collector, writer and publisher. The journal was noted for the quality of its articles and illustrations which unusually promoted Modern Art from all over the world rather than just Europe.£220 -
Cahiers D’Art 1953
£220Cahiers D’Art 1953
Cahiers D’Art was a journal, founded by the art critic Christian Zervos, in Paris at 14, rue du Dragon. It was published from 1926 to 1960, with a wartime interruption 1941 to 1943. Zervos was a Greek-French art historian, critic, collector, writer and publisher. The journal was noted for the quality of its articles and illustrations which unusually promoted Modern Art from all over the world rather than just Europe.£220 -
Cahiers D’Art 1953
£220Cahiers D’Art 1953
Cahiers D’Art was a journal, founded by the art critic Christian Zervos, in Paris at 14, rue du Dragon. It was published from 1926 to 1960, with a wartime interruption 1941 to 1943. Zervos was a Greek-French art historian, critic, collector, writer and publisher. The journal was noted for the quality of its articles and illustrations which unusually promoted Modern Art from all over the world rather than just Europe.£220 -
Cahiers D’Art 1953
£220Cahiers D’Art 1953
Cahiers D’Art was a journal, founded by the art critic Christian Zervos, in Paris at 14, rue du Dragon. It was published from 1926 to 1960, with a wartime interruption 1941 to 1943. Zervos was a Greek-French art historian, critic, collector, writer and publisher. The journal was noted for the quality of its articles and illustrations which unusually promoted Modern Art from all over the world rather than just Europe.£220 -
Picasso lithographs, published 1959, Women of Algiers,
£120Picasso lithographs, published 1959, Women of Algiers,
In 1959 when these prints were published, the 78 year old Picasso was in fashion as a gifted exhibitionist living his art in the public eye.£120 -
Picasso lithographs, published 1959, Tomato Plant & Decanter,
£120Picasso lithographs, published 1959, Tomato Plant & Decanter,
In 1959 when these prints were published, the 78 year old Picasso was in fashion as a gifted exhibitionist living his art in the public eye.£120 -
Picasso lithographs, published 1959, Daniel-Henry Kahnweiler,
£120Picasso lithographs, published 1959, Daniel-Henry Kahnweiler,
In 1959 when these prints were published, the 78 year old Picasso was in fashion as a gifted exhibitionist living his art in the public eye.£120 -
Picasso lithographs, published 1959, Still Life with Gourd,
£120Picasso lithographs, published 1959, Still Life with Gourd,
In 1959 when these prints were published, the 78 year old Picasso was in fashion as a gifted exhibitionist living his art in the public eye.£120 -
Picasso lithographs, published 1959, Card Player,
£120Picasso lithographs, published 1959, Card Player,
In 1959 when these prints were published, the 78 year old Picasso was in fashion as a gifted exhibitionist living his art in the public eye.£120 -
Picasso lithographs, published 1959, Les Desmoiselles D’Avignon,
£120Picasso lithographs, published 1959, Les Desmoiselles D’Avignon,
In 1959 when these prints were published, the 78 year old Picasso was in fashion as a gifted exhibitionist living his art in the public eye.£120 -
Picasso lithographs, published 1959, Mother & Child,
£120Picasso lithographs, published 1959, Mother & Child,
In 1959 when these prints were published, the 78 year old Picasso was in fashion as a gifted exhibitionist living his art in the public eye.£120 -
Picasso lithographs, published 1959, Maia with Sailor Doll,
£120Picasso lithographs, published 1959, Maia with Sailor Doll,
In 1959 when these prints were published, the 78 year old Picasso was in fashion as a gifted exhibitionist living his art in the public eye.£120 -
Picasso lithographs, published 1959, Three Dancers,
£120Picasso lithographs, published 1959, Three Dancers,
In 1959 when these prints were published, the 78 year old Picasso was in fashion as a gifted exhibitionist living his art in the public eye.£120 -
Picasso lithographs, published 1959, Faun & Goat,
£120Picasso lithographs, published 1959, Faun & Goat,
In 1959 when these prints were published, the 78 year old Picasso was in fashion as a gifted exhibitionist living his art in the public eye.£120
Featured Items
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The Moon by André Masson, Verve Vol. 1 / No. 2.
£600The Moon by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
£800Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
£1,200The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£1,200