41 items found
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Philips’ A Map of Europe To Illustrate The Territorial Changes Since 1914
£1,200Philips’ A Map of Europe To Illustrate The Territorial Changes Since 1914
The Royal Geographical Society was founded in 1830 as an institution to promote the 'advancement of geographical science'.£1,200 -
Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
£800Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
£800Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Figure by Georges Braque, Verve Vol 2 / No. 5-6.
£800Figure by Georges Braque, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
£800Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
St. Paul’s Cathedral from Cannon Street
£625St. Paul’s Cathedral from Cannon Street
A famed drypoint engraving of a bomb-damaged St Pauls viewed from Cannon Street dated 1942 by the War Artist Sir Henry Rushbury KCVO CBE RA (28 October 1889 – 5 July 1968). Signed and dated by the artist.£625 -
Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
£600The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
£600The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Moon by André Masson, Verve Vol. 1 / No. 2.
£600The Moon by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Venus and Adonis, 1948,
£140 eachVenus and Adonis, 1948,
Published by W.H. Allen, in 1948 for a limited edition. Framed in natural oak.£140 each -
Londres Secret et Ses Fantomes, lithographs published 1946
£140 eachLondres Secret et Ses Fantomes, lithographs published 1946
Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.£140 each -
Londres Secret et Ses Fantomes, lithographs published 1946
£140 eachLondres Secret et Ses Fantomes, lithographs published 1946
Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.£140 each -
Londres Secret et Ses Fantomes, lithographs published 1946
£140 eachLondres Secret et Ses Fantomes, lithographs published 1946
Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.£140 each -
Londres Secret et Ses Fantomes, lithographs published 1946
£140 eachLondres Secret et Ses Fantomes, lithographs published 1946
Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.£140 each -
Londres Secret et Ses Fantomes, lithographs published 1946
£140 eachLondres Secret et Ses Fantomes, lithographs published 1946
Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.£140 each -
Londres Secret et Ses Fantomes, lithographs published 1946
£140 eachLondres Secret et Ses Fantomes, lithographs published 1946
Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.£140 each -
Londres Secret et Ses Fantomes, lithographs published 1946
£140 eachLondres Secret et Ses Fantomes, lithographs published 1946
Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.£140 each -
Londres Secret et Ses Fantomes, lithographs published 1946
£140 eachLondres Secret et Ses Fantomes, lithographs published 1946
Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.£140 each -
Londres Secret et Ses Fantomes, lithographs published 1946
£140 eachLondres Secret et Ses Fantomes, lithographs published 1946
Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.£140 each -
Londres Secret et Ses Fantomes, lithographs published 1946
£140 eachLondres Secret et Ses Fantomes, lithographs published 1946
Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.£140 each -
Londres Secret et Ses Fantomes, lithographs published 1946
£140 eachLondres Secret et Ses Fantomes, lithographs published 1946
Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.£140 each -
Londres Secret et Ses Fantomes, lithographs published 1946
£140 eachLondres Secret et Ses Fantomes, lithographs published 1946
Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.£140 each -
Londres Secret et Ses Fantomes, lithographs published 1946
£140 eachLondres Secret et Ses Fantomes, lithographs published 1946
Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.£140 each -
Londres Secret et Ses Fantomes, lithographs published 1946
£140 eachLondres Secret et Ses Fantomes, lithographs published 1946
Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.£140 each -
Londres Secret et Ses Fantomes, lithographs published 1946
£140 eachLondres Secret et Ses Fantomes, lithographs published 1946
Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.£140 each -
Londres Secret et Ses Fantomes, lithographs published 1946
£140 eachLondres Secret et Ses Fantomes, lithographs published 1946
Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.£140 each -
Londres Secret et Ses Fantomes, lithographs published 1946
£140 eachLondres Secret et Ses Fantomes, lithographs published 1946
Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.£140 each -
Londres Secret et Ses Fantomes, lithographs published 1946
£140 eachLondres Secret et Ses Fantomes, lithographs published 1946
Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.£140 each -
Londres Secret et Ses Fantomes, lithographs published 1946
£140 eachLondres Secret et Ses Fantomes, lithographs published 1946
Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.£140 each -
Londres Secret et Ses Fantomes, lithographs published 1946
£140 eachLondres Secret et Ses Fantomes, lithographs published 1946
Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.£140 each -
Londres Secret et Ses Fantomes, lithographs published 1946
£140 eachLondres Secret et Ses Fantomes, lithographs published 1946
Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.£140 each -
Londres Secret et Ses Fantomes, lithographs published 1946
£140 eachLondres Secret et Ses Fantomes, lithographs published 1946
Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.£140 each -
Londres Secret et Ses Fantomes, lithographs published 1946
£140 eachLondres Secret et Ses Fantomes, lithographs published 1946
Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.£140 each -
Londres Secret et Ses Fantomes, lithographs published 1946
£140 eachLondres Secret et Ses Fantomes, lithographs published 1946
Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.£140 each -
Londres Secret et Ses Fantomes, lithographs published 1946
£140 eachLondres Secret et Ses Fantomes, lithographs published 1946
Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.£140 each
Featured Items
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Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
£600The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
£800Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800