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An English relief cast plaster Asclepius keystone
£350An English relief cast plaster Asclepius keystone
the bearded mask modelled on the tapered keystone,£350 -
A cast plaster relief of Scipio Africanus
£350A cast plaster relief of Scipio Africanus
the general depicted in fantastical armour in profile,£350 -
A composition stone fountain mask of Father Thames
£350 -
A series of English spun steel and aluminium factory downlighters,
£345 eachA series of English spun steel and aluminium factory downlighters,
each with a large domed shade hung from a ventilated gallery, most with a safety cage protecting the lamp, rewired,£345 each -
A cast iron fireback
£340 -
A pair of English steel and wrought iron andirons
£325A pair of English steel and wrought iron andirons
the bracket standards each supporting a cresset top,£325 -
A late George III cast iron hob grate,
£325A late George III cast iron hob grate,
the railed basket flanked by narrow hobs, the hob fronts and apron cast in relief with acanthine strapwork ornament,£325 -
A Regency mahogany carver,
£325A Regency mahogany carver,
the back-rest, later strengthened with brass collars above the swept arms on bobbin-turned supports, the seat with a vinyl covered squab raised on square section supports, the chair later amended and raised on to rails and castors,£325 -
A stained glass window,
£325 -
A George III style mahogany elbow chair
£325 -
An English Gothic cast iron fireplace insert,
£320An English Gothic cast iron fireplace insert,
the narrow arched insert pierced to the spandrels with quatrefoils, above the railed basket with lugs to the top bar,£320 -
A series of Art Deco steel-framed curved glass light panels,
£315 eachA series of Art Deco steel-framed curved glass light panels,
each with a frosted glass square cut with sinuous curvilinear marks and each centred with a gilded square intended to obscure a light source,£315 each -
Harry by Sheila Steafel,
£300 -
Lithograph of St. James’s Palace, London, by David Gentleman
£300Lithograph of St. James’s Palace, London, by David Gentleman
Original signed lithograph by David Gentleman. Limited edition 80/195.£300 -
17th century copper-engravings of Classical Sculptures
£295 each17th century copper-engravings of Classical Sculptures
These prints are from a series showing the antique marble statues from the collection of Vincenzo Giustiniana, published by Joachim von Sandrart. These statues were on display in the 'Galleria Giustiniana del Marchese Vincenzo Giustiniani'. Sandrart assembled a team of mostly Dutch and French artists to produce the engravings for the Galleria, including Theodor Matham, Michael Natalis, Renier Persin, Cornelis Bloemaert, Claude Mellan, and Francois Perrier. The work was published in Rome circa 1636. Galleria served as a record of the antiquities and statues of the famous Giustiniani art collection. The Giustiniani brothers were exceedingly wealthy and descendants of the Genoese dynasty and became noted collectors of art. At the time of Vincenzo's death in 1637 he had amassed 600 paintings and 1800 ancient sculptures. Original copper-engraving, mounted and framed in black. Showing Marsyas.£295 each -
17th century copper-engravings of Classical Sculptures
£295 each17th century copper-engravings of Classical Sculptures
These prints are from a series showing the antique marble statues from the collection of Vincenzo Giustiniana, published by Joachim von Sandrart. These statues were on display in the 'Galleria Giustiniana del Marchese Vincenzo Giustiniani'. Sandrart assembled a team of mostly Dutch and French artists to produce the engravings for the Galleria, including Theodor Matham, Michael Natalis, Renier Persin, Cornelis Bloemaert, Claude Mellan, and Francois Perrier. The work was published in Rome circa 1636. Galleria served as a record of the antiquities and statues of the famous Giustiniani art collection. The Giustiniani brothers were exceedingly wealthy and descendants of the Genoese dynasty and became noted collectors of art. At the time of Vincenzo's death in 1637 he had amassed 600 paintings and 1800 ancient sculptures. Original copper-engraving, mounted and framed in black.£295 each -
17th century copper-engravings of Classical Sculptures
£295 each17th century copper-engravings of Classical Sculptures
These prints are from a series showing the antique marble statues from the collection of Vincenzo Giustiniana, published by Joachim von Sandrart. These statues were on display in the 'Galleria Giustiniana del Marchese Vincenzo Giustiniani'. Sandrart assembled a team of mostly Dutch and French artists to produce the engravings for the Galleria, including Theodor Matham, Michael Natalis, Renier Persin, Cornelis Bloemaert, Claude Mellan, and Francois Perrier. The work was published in Rome circa 1636. Galleria served as a record of the antiquities and statues of the famous Giustiniani art collection. The Giustiniani brothers were exceedingly wealthy and descendants of the Genoese dynasty and became noted collectors of art. At the time of Vincenzo's death in 1637 he had amassed 600 paintings and 1800 ancient sculptures. Original copper-engraving, mounted and framed in black.£295 each -
17th century copper-engravings of Classical Sculptures
£295 each17th century copper-engravings of Classical Sculptures
These prints are from a series showing the antique marble statues from the collection of Vincenzo Giustiniana, published by Joachim von Sandrart. These statues were on display in the 'Galleria Giustiniana del Marchese Vincenzo Giustiniani'. Sandrart assembled a team of mostly Dutch and French artists to produce the engravings for the Galleria, including Theodor Matham, Michael Natalis, Renier Persin, Cornelis Bloemaert, Claude Mellan, and Francois Perrier. The work was published in Rome circa 1636. Galleria served as a record of the antiquities and statues of the famous Giustiniani art collection. The Giustiniani brothers were exceedingly wealthy and descendants of the Genoese dynasty and became noted collectors of art. At the time of Vincenzo's death in 1637 he had amassed 600 paintings and 1800 ancient sculptures. Original copper-engraving, mounted and framed in black.£295 each -
1970s studio pottery table lamp by Bernard Rooke,
£2951970s studio pottery table lamp by Bernard Rooke,
English, re-wired and PAT tested, shade not included.£295 -
1970s studio pottery table lamp by Bernard Rooke,
£2951970s studio pottery table lamp by Bernard Rooke,
English, re-wired and PAT tested, shade not included.£295 -
An English pine front door,
£285 -
An English front door,
£280 -
A Victorian pine front door,
£280A Victorian pine front door,
part glazed with four radial panes above nine rectangular glazed lights and a pair of short blind panels below,£280 -
An English cast plaster portrait oval relief of John Keats,
£280An English cast plaster portrait oval relief of John Keats,
the oval plaque cast in relief with the portrait of the poet in profile,£280 -
An English cast plaster portrait roundel,
£280An English cast plaster portrait roundel,
the circular plaque cast in relief with the portrait of a lady in profile,£280 -
An English cast plaster relief of a scrolled acanthus frond,
£280An English cast plaster relief of a scrolled acanthus frond,
the square plaque centred by the relief cast leaf,£280 -
A late Victorian brass fireplace fender,
£275 -
A plaster portrait relief of “Lucretia”
£275A plaster portrait relief of “Lucretia”
the portrait of the woman in profile, cast in low relief,£275 -
Reclaimed ‘Lord Roberts’ Parquet de Chantilly
£266 + VAT per sq mReclaimed ‘Lord Roberts’ Parquet de Chantilly
English Oak parquet panels removed from Englemere, the Berkshire seat of the British national war hero Lord Roberts of Kandahar. The panels are constructed in English Oak and were in the ballroom of the country house. As a reclaimed timber they require careful handling and laying by an experienced joiner or floor fitter. The Oak is quarter sawn across the grain with attractive medullary rays on the face of the wood. Mellow golden in appearance with a pleasing geometric pattern.£266 + VAT per sq m -
An English plaster cast of a Greek Ionic capital,
£265An English plaster cast of a Greek Ionic capital,
the spirally cast volutes above a flat pilaster header,£265 -
A Victorian pitch pine four panel door
£260 -
Poul Henningsen style pendant light,
£250Poul Henningsen style pendant light,
after the PH 4/3 design for Louis Poulsen originally designed 1966, removed from UCLH, Russell Square. Re-wired and PAT tested.£250 -
A Victorian town crier’s bell
£250 -
Two pairs of Edwardian brass door knobs,
£250 the two pairsTwo pairs of Edwardian brass door knobs,
the egg shaped handles with square backplates.£250 the two pairs -
Rolanda pendant light,
£250 eachRolanda pendant light,
A decorative stainless steel banded pendant light by Bover, Barcelona.£250 each -
Regency style wall mirror,
£250Regency style wall mirror,
the frame with rope-twist, ball and reeded decoration, surrounding bevelled plate.£250 -
A set of six English stained glass windows,
£245 eachA set of six English stained glass windows,
each square leaded pane centred by a roundel of obscured textured glass and a lime-green border, with lobed yellow-glass cartouches filling each spandrel, suspended from hanging hoops of copper wire,£245 each -
An English part-glazed painted pine front door,
£245An English part-glazed painted pine front door,
with two long glazed panels above a letter-plate and two blind panels,£245 -
An English part-glazed front door,
£245 -
A relief cast plaster mask fragment of a Mesopotamian king,
£245A relief cast plaster mask fragment of a Mesopotamian king,
the male with ornate headwear and full beard,£245 -
William Nicholson, London Types,
£245William Nicholson, London Types,
From a set of framed original woodblock prints, c1898. With original mounted poem relating to the image on reverse. "When William Nicholson designed his stylish 'London Types' in 1898 - that together with his 'Almanac of Twelve Sports' and 'An Illustrated Alphabet' were to make his reputation as a printmaker - his son Ben, who was to eclipse him entirely in the history of British Art through his Modernist works, was only five years old. While working within the culture of the British popular print, William Nickerson deliberately chose to use the coarse-grained side of the wood block in his wood cuts, in a style that owed more to Toulouse Lautrec and Japanese precedents than to native visual traditions - which give these prints an innovative quality, even as they might seem to be celebrating unchanging roles in British society. Although not strictly 'Cries of London,' some of these characters are familiar from earlier series of prints stretching back over the previous centrury and, recognising this, Nicholson portrays them as quaint curiosities from another age. In each case, the ironic doggerel by W.E. Henley that accompanied them poked fun at the anachronistic nature of these social stereotypes, through outlining the ambivalent existence of the individual subjects - whether the street hawker displaced in Kensington far from his East End home, or the aristocratic lady at Rotten Row challenged by her suburban counterparts, or the drunken Sandwich-man displaying moral texts, or the fifteenth generation Bluecoat boy at Charterhouse School in Smithfield now moved out to Horsham." - The Gentle Author.£245 -
Pair of green marble bookends,
£240 per pairPair of green marble bookends,
each pair of the polished book-ends, rectangular in section and with mouldings to the top edge, some with chips.£240 per pair -
A series of English printed posters, automotive exploded-view diagrams,
£240 eachA series of English printed posters, automotive exploded-view diagrams,
the posters, landscape in format, demonstrating the components of the British-made family saloon: "Engine External Components". Rear Suspension and Drum Brakes" etc.£240 each -
A pair of plaster Sphinx, cast in relief
£240 -
A cast plaster acanthine flowerhead roundel,
£230A cast plaster acanthine flowerhead roundel,
the spirally modelled leafy flowerhead emanating from a central boss,£230 -
An English relief cast plaster lidded half-urn
£225An English relief cast plaster lidded half-urn
the vase-shaped body with wrythen flutes raised on a socle foot,
£225 -
Édouard Pignon, Cahiers D’Art collotype print
£220Édouard Pignon, Cahiers D’Art collotype print
A collotype print from 'Cahiers D'Art' printed in Paris, 1953.£220 -
Caucasian Kazak prayer carpet,
£220 -
An English carved hardwood industrial mould,
£220An English carved hardwood industrial mould,
the double-sided mould for the precision casting of engineered aeronautical component parts,£220 -
An English cast plaster Corinthian order pilaster capital,
£220An English cast plaster Corinthian order pilaster capital,
the half capital, intended for heading an "attached column", cast over-all with formalised stiff-leaf acanthine ornament spreading to a rectangular capping plinth, cast with wire hoops to the reverse for wall-hanging if preferred,£220 -
A Philips’ 10″ table globe
£220A Philips’ 10″ table globe
the paper on card globe mounted on a chrome plated meridian and a stepped black bakelite base,£220 -
Crossing the Moor,
£220 -
English cast plaster pilasters,
£215 each pilasterEnglish cast plaster pilasters,
the panelled stem ornamented with an ewer issuing stylised foliate ornament and headed with a capital with opposed birds forming the volutes,£215 each pilaster -
A cast plaster plaque of a classical capital fragment,
£215A cast plaster plaque of a classical capital fragment,
the scrolled Greek ionic volute and capital mouldings cast in relief,£215 -
Harry reading by Sheila Steafel
£200Harry reading by Sheila Steafel
Oil sketch on masonite board of Harry H. Corbett, signed and dated 59. Framed£200 -
Harry seated by Sheila Steafel,
£200Harry seated by Sheila Steafel,
Framed study of the artist's then husband, Harry H. Corbett c1959£200 -
An English plaster bas-relief of the Virgin and Child,
£200An English plaster bas-relief of the Virgin and Child,
the rectangular panel with an arched top depicts the Madonna, half-length as if seated at a parapet, the Child turning His head and holding her hand, below diminutive winged putti hold a medallion, all modelled in a delicate low relief,£200 -
Early twentieth century continental glass display dome,
£200 -
Original chemist shop advertising poster, Baldwin’s Lungwort
£200Original chemist shop advertising poster, Baldwin’s Lungwort
Original woodblock, letterpress poster published c1880 for G. Baldwin & Co, Walworth Road A great historical item for those living south of the river, a very small quantity are available, but once gone, they are gone forever! Condition consistent with a 120 year old loose piece of paper, tears, stains small losses etc.£200 -
An English cast plaster relief of the Madonna and Child,
£200An English cast plaster relief of the Madonna and Child,
the arched relief cast panel depicting the Virgin and Child, the Holy Mother seemingly sat before a parapet with her head inclined to the Infant as she cradles Him, the parapet ornamented with the arms of the Piccolomini flanked with swagged garlands and ribbon-tied lion-masks,£200 -
Original chemist shop advertising poster, Baldwin’s Kidney and Gravel Pills
£200Original chemist shop advertising poster, Baldwin’s Kidney and Gravel Pills
Original woodblock, letterpress poster published c1880 for G. Baldwin & Co, Walworth Road A great historical item for those living south of the river, a very small quantity are available, but once gone, they are gone forever! Condition consistent with a 120 year old loose piece of paper, tears, stains small losses etc.£200 -
William Nicholson, Sports as Months of the Year
£195 -
William Nicholson, Sports as Months of the Year
£195 -
William Nicholson, Sports as Months of the Year
£195 -
William Nicholson, Sports as Months of the Year
£195 -
William Nicholson, Sports as Months of the Year
£195 -
William Nicholson, Sports as Months of the Year
£195 -
William Nicholson, London Types
£195 -
The Best London Gin,
£195The Best London Gin,
During the late 19th and early 20th centuries this type of poster was a ubiquitous feature of every corner shop, café and public house. Printed with wood block type onto poor quality newsprint paper they were a transient form of advertising designed to be used then discarded, so hardly any originals exist. These reproductions are based on some surviving originals printed by London firm of Samuel Reeves Ltd, which have been scanned, restored and reprinted onto fine art paper using archival quality ink. Framed£195 -
Step Inside and Prove It,
£195Step Inside and Prove It,
During the late 19th and early 20th centuries this type of poster was a ubiquitous feature of every corner shop, café and public house. Printed with wood block type onto poor quality newsprint paper they were a transient form of advertising designed to be used then discarded, so hardly any originals exist. These reproductions are based on some surviving originals printed by London firm of Samuel Reeves Ltd, which have been scanned, restored and reprinted onto fine art paper using archival quality ink. Framed£195 -
Come Over Here If You Want A Good Clean Shave
£195Come Over Here If You Want A Good Clean Shave
During the late 19th and early 20th centuries this type of poster was a ubiquitous feature of every corner shop, café and public house. Printed with wood block type onto poor quality newsprint paper they were a transient form of advertising designed to be used then discarded, so hardly any originals exist. These reproductions are based on some surviving originals printed by London firm of Samuel Reeves Ltd, which have been scanned, restored and reprinted onto fine art paper using archival quality ink. Framed£195 -
Hot Stewed Eels,
£195Hot Stewed Eels,
During the late 19th and early 20th centuries this type of poster was a ubiquitous feature of every corner shop, café and public house. Printed with wood block type onto poor quality newsprint paper they were a transient form of advertising designed to be used then discarded, so hardly any originals exist. These reproductions are based on some surviving originals printed by London firm of Samuel Reeves Ltd, which have been scanned, restored and reprinted onto fine art paper using archival quality ink. Framed£195 -
Bed and Breakfast,
£195Bed and Breakfast,
During the late 19th and early 20th centuries this type of poster was a ubiquitous feature of every corner shop, café and public house. Printed with wood block type onto poor quality newsprint paper they were a transient form of advertising designed to be used then discarded, so hardly any originals exist. These reproductions are based on some surviving originals printed by London firm of Samuel Reeves Ltd, which have been scanned, restored and reprinted onto fine art paper using archival quality ink. Framed£195 -
There is Not a Cross Word from our Customers,
£195There is Not a Cross Word from our Customers,
During the late 19th and early 20th centuries this type of poster was a ubiquitous feature of every corner shop, café and public house. Printed with wood block type onto poor quality newsprint paper they were a transient form of advertising designed to be used then discarded, so hardly any originals exist. These reproductions are based on some surviving originals printed by London firm of Samuel Reeves Ltd, which have been scanned, restored and reprinted onto fine art paper using archival quality ink. Framed£195 -
Picasso ‘Mes dessins d’Antibes’ Lithograph,
£195Picasso ‘Mes dessins d’Antibes’ Lithograph,
Picasso's series "Mes dessins d'Antibes" is a fantastic study of Homeric, mythological Antibes (Greek Antypolis). He stayed barely three months in the southern Provencal port yet his output was prodigious. In what has been called Picasso's 'Age Of Renewal' he produced 23 paintings and 44 drawings. In these lithographs, first published in Paris in 1958, Picasso committed to print the austere and mysterious forms of the Centaur, the Nymph and the Faun that had so renewed his art in the Antibes.£195 -
A Victorian servant’s bell,
£195A Victorian servant’s bell,
the brass bell mounted on a steel spring and rotating spigot with a roundel cap,£195 -
View of St. James’s Palace,
£195 -
Lives of the Queens of England from the Norman conquest,
£195Lives of the Queens of England from the Norman conquest,
Six volumes. Covered in marbled paper with tan leather spines and corners, in fair but clean condition with rubbing to edges.£195 -
Self portrait with pug, after William Hogarth,
£195 -
The Bruiser, after William Hogarth,
£195 -
Opalescent light fitting,
£190Opalescent light fitting,
An Art Deco shop light fitting, opalescent glass with chrome gallery. Originally taken from the John Lewis building, Oxford Street.£190 -
An English plaster section of frieze
£185An English plaster section of frieze
the frieze comprising fruit-filled campagna urns linked by a laurel swag with a foliate wreath above and ribbon-tied reeds below,£185 -
A pair of Edwardian brass fire-tool rests,
£185A pair of Edwardian brass fire-tool rests,
each with a disc-finial on a shaped standard and scrolled front legs,£185 -
A plaster cast of an anthemion in relief
£185 -
An English cast-iron “swan’s-nest” basket, (medium),
£180An English cast-iron “swan’s-nest” basket, (medium),
the dished grille with parallel bars and upstanding lugs to the front and sides,£180 -
A cast plaster relief of clustered plums
£180A cast plaster relief of clustered plums
after an original cast by Brucciani and Co. and bearing their stamp,£180 -
A pair of wrought iron barn door hook and band hinges
£177 -
A large English plaster roundel relief plaque,
£175A large English plaster roundel relief plaque,
the raised ovals and roundels variously depicting various minatures of classical allegory and portrait,£175 -
Anatomical prints,
£175 eachAnatomical prints,
reproduction based on the 1765 work by the Rev. Middleton. In black frame. 'Facing Muscle Plate LX'.£175 each -
An English cast plaster foot,
£170An English cast plaster foot,
the contorted right foot, the heel truncated, cast with an integral supporting plinth,£170 -
A pair of 24″ wrought iron hook and band hinges
£170A pair of 24″ wrought iron hook and band hinges
external beeswax finish, this is a replica item.£170 -
A plaster cast of a classical foot
£170A plaster cast of a classical foot
the right foot with a strapwork sandle on a low plinth/sole,£170 -
A wrought steel gate,
£165 each -
An elegant English cast plaster corbel bracket (large),
£165An elegant English cast plaster corbel bracket (large),
the turned moulded dias with a pendant terminus in the manner of Sir John Soane,£165 -
An Oxford pattern pine door,
£165 -
An English cast plaster death-mask of the Versailles head gardener
£165An English cast plaster death-mask of the Versailles head gardener
from the 18th Century original,£165 -
An English cast-iron “swan’s-nest” basket (small),
£160An English cast-iron “swan’s-nest” basket (small),
the dished grille with parallel bars and upstanding lugs to the front and sides,£160 -
St Olave’s Grammar School Library Bookcase Doors
£160 -
Reclaimed small green enamel pendant lights,
£150Reclaimed small green enamel pendant lights,
with glass dome and aluminium suspension hook, re-wired with brown braided flex and PAT tested. Ceiling rose not provided. Some shades with minor chips, dings and dents.£150 -
An English composition stone recumbent whippet on plinth
£150An English composition stone recumbent whippet on plinth
the resting hound with forelegs outstretched, raised on a torus moulded rectangular plinth,£150
Featured Items
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Femme au Chapeau by Henri Matisse, Verve Vol 2 / No. 5-6.
£800Femme au Chapeau by Henri Matisse, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
The Moon by André Masson, Verve Vol. 1 / No. 2.
£600The Moon by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
£800Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
The Sun by André Masson, Verve Vol. 1 / No. 2.
£600The Sun by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600