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English lead planter
£800 -
A George I wrought iron bracket spindle
£800 eachA George I wrought iron bracket spindle
the open scrollwork body applied with leafy ornament, two available,£800 each -
An early Victorian brass and polished steel fireplace fender,
£795An early Victorian brass and polished steel fireplace fender,
the square sided fender with a moulded band of ornament, raised on lion's paw feet and with fire-hook standards to each end,£795 -
A French carved wood horse’s head,
£780 -
An English copper Winsor street lantern,
£775An English copper Winsor street lantern,
the square section glazed, tapered body with cupped spinnings and a pointed finial atop the canted lid, all raised on a four-pronged chair-iron with cylindrical spigot, the electric lamp-holder wired from the base,£775 -
A Victorian Gothic ebonised oak pedestal
£765A Victorian Gothic ebonised oak pedestal
octagonal in plan with arcades of pierced tracery supporting the top and mid platforms,£765 -
‘Fashion 69’ illuminated sign,
£750 -
Pair of nineteenth century French chenets,
£750Pair of nineteenth century French chenets,
each with large flaming classical urn with Satyr mask handles with garlands hung between, raised on strigilated plinth, the horiztontal supports with paterae details leading to a flaming torchere on fluted plinth.£750 -
Reclaimed Victorian painted pine floor (11 sq m)
£725 the batch (incl VAT)Reclaimed Victorian painted pine floor (11 sq m)
square edge boards, Condition: good patina, pleasantly worn - authentic dinks, chips and paint commensurate with age, this batch has not been previously picked from,£725 the batch (incl VAT) -
A Victorian cast iron street lamp post,
£725A Victorian cast iron street lamp post,
the tapered post incised with stylised ornament and collars, the ladder bars cast as foliate branches,£725 -
A trio of Victorian carved Portland stone pedestals,
£725 eachA trio of Victorian carved Portland stone pedestals,
each solid stone block, square in section, carved to the front facade with a ribbon-tied graduating bell-flower pendant,£725 each -
An English limestone trough,
£720An English limestone trough,
the rectangular cistern, moss and lichen growths and with knocks and marks commensurate with age,£720 -
A George III cast iron hob grate
£700A George III cast iron hob grate
the three bar basket above an apron of opposed anthemions with central oval patera, flanked by convex cheeks cast with repeating diamonds and Greek key border, stamped 'Dale & Co.' to both feet,£700 -
Amazonamachy: A Classical plaster figural relief
£700Amazonamachy: A Classical plaster figural relief
the central mounted Amazon in readiness to strike a Greek warrior, another Amazon in support, a further prone beneath the rearing stead. A companion piece to our cast 44365- a frieze from the long side of the same sarcophagus,£700 -
A large giltwood pier mirror,
£700A large giltwood pier mirror,
the breakfront cornice with suspended balls above frieze with central panel, the plate flanked by barley twist columns.£700 -
An Italian reconstituted marble putto personifying ‘Spring’
£700An Italian reconstituted marble putto personifying ‘Spring’
the naked young boy, bearing a bouquet of flowers, reclining on a "C-scroll" and turning to look over his left shoulder, raised on a plinth.
£700 -
An English plaster architectural relief-plaque,
£685An English plaster architectural relief-plaque,
the rectangular plaque cast in relief with a ribbon-tied drapery swag, tasseled to its edge, the plaque cast in two halves and framed with a moulded border,£685 -
An English plaster bust of Innocent X, Gian Battista Pamfili, Pope (1644-55)
£685An English plaster bust of Innocent X, Gian Battista Pamfili, Pope (1644-55)
the elderly bearded gentleman with his head turned slightly to his right, and wearing a berrettino on his head and the collars of the mozetto around his neck,£685 -
A pair of English composition stone gate-pier ball finials,
£680 the pairA pair of English composition stone gate-pier ball finials,
each with a sphere held aloft on a spreading knopped socle above an integral square-section plinth foot,£680 the pair -
An English buff stoneware garden urn,
£680An English buff stoneware garden urn,
a tazza shaped bowl with an everted rim and lobed body raised on a spreading socle,£680 -
A cast plaster relief depicting classical figures with a tethered bull
£680A cast plaster relief depicting classical figures with a tethered bull
Cast at LASSCO Three Pigeons by Peter Hone. This relief plaque was cast from a Coade stone original – we have two similar available. Peter Hone bought the plaques from Miles D’Agar at the Furniture Cave some years ago. They are now in the collection of Sir Jacob Rothschild, We can’t find reference to the original manufacture of this design at Coade. They are undoubtedly drawn from a classical source – they look to be part of a Panathanaic frieze – and bear similarities to the Coade frieze at Ickworth House in Suffolk. The frieze designs at Ickworth were drawn from Flaxman’s illustrations to Homer. Research continues. See Alison Kelly “Mrs Coade’s Stone”, Self Publishing Asscn. 1990, pp175-7.£680 -
Reclaimed 6 1/2″ pine floorboards (8.7sqm ex Walthamstow)
£650 the batch (incl VAT)Reclaimed 6 1/2″ pine floorboards (8.7sqm ex Walthamstow)
Condition: pewter patina, pleasantly weathered with dints and scratches commensurate with age, surface nail holes but solid and uniform boards - good straight grain. 165 to 175mm wide - lay coursed or trim as needed;£650 the batch (incl VAT) -
England and France, after William Hogarth published c1805
£650 the setEngland and France, after William Hogarth published c1805
William Hogarth produced these prints to boost public morale when an invasion from France seemed probable.
Hogarth depicts the weak and emaciated army ready to invade England. The alehouse sign reading 'Meagre Soup at the Royal Comb' points this up. There is also an officer roasting four frogs on his sword. A further soldier carries a banner which reads 'Vengeance with the good beer and good beef of England'. There is also a portly monk (obviously the church folk won't be hungry), and he carries plans for a monastery to be built at Blackfriars.
In contrast he believed the English to be always well fed and always merry, despite the evidence of widespread poverty. Here a recruitment officer is shown measuring up a volunteer. The man has to stand on tiptoe to reach the required height. A round of beef and some porter is on the table in front of some revellers, one of whom is drawing a pastiche of the French King, who is uttering the words "You take my fine ships you bede pirate you bede Teef me send my grand armies and hang you all Morbleu."
£650 the set -
A lion keystone
£650 -
An English plaster portrait bust of a Florentine man in a slashed tunic
£645An English plaster portrait bust of a Florentine man in a slashed tunic
the young bearded gentleman naturalisitically modelled attired in a slashed tunic and raised on a socle,
£645 -
An English plaster bust of Rinaldo della Luna
£645An English plaster bust of Rinaldo della Luna
the gaunt male with head turned to sinester, wearing a pleated tunic, with an indistinct description on the plinth "RINALDODELLA LVNA . ETATIS . ANNO XXVII OPVS MINI NE. MCCCCLXI" and bearing the Brucciani model number 2929,£645 -
An English relief carved limestone plaque,
£640An English relief carved limestone plaque,
the weathered carving of a pair of winged armorini above a swagged, tasselled drape, one face damaged,£640 -
An English plaster cast of a clam shell
£640An English plaster cast of a clam shell
the detailed cast shell with encrusted texture raised on low plinth base,£640 -
An English relief cast plaster plaque of men leading a bull
£640An English relief cast plaster plaque of men leading a bull
the rectangular panel, in the style of an antique metope,£640 -
Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Divagations II, by Henri Matisse, Verve Vol. 1 / No. 1.
£600Divagations II, by Henri Matisse, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
£600The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
£600The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Four Elements, Fire by Abraham Rattner, Verve Vol. 1 / No. 1.
£600The Four Elements, Fire by Abraham Rattner, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Sun by André Masson, Verve Vol. 1 / No. 2.
£600The Sun by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Moon by André Masson, Verve Vol. 1 / No. 2.
£600The Moon by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Twin light glass wall sconces,
£600 a pairTwin light glass wall sconces,
with stylised leaf frond between the two scrolled branches.£600 a pair -
Set of six silver gilt fruit spoons,
£600Set of six silver gilt fruit spoons,
Four of the set of six are London stamped, three dated 1811, one dated 1814. The other two stamped Edinburgh dated 1815. Each spoon having shape scoop section with reppouse berry details and engraved decoration to stem.£600 -
A run of Edwardian oak balustrade
£600A run of Edwardian oak balustrade
with turned spindles and a waisted handrail raised on repeating turned spindles, in three sections,£600 -
The head of a Young Athlete,
£595The head of a Young Athlete,
the young male with curly hair, almost certainly from a statue, mounted on an Ashburton marble block,£595 -
An English relief cast Greek Ionic Order capital,
£595An English relief cast Greek Ionic Order capital,
the capital with flat fronted volutes and stop-fluted and stiff-leaf ornament to the stem,£595 -
A cast plaster section of foliate scroll frieze
£560 -
Joiner’s workbench,
£550 eachJoiner’s workbench,
A number of joinery workshop benches available. 'EMIR Made in London', England, removed from The Central School of Art & Design, Southampton Row, Bloomsbury, London; established by the L.C.C (London County Council) in 1896 influenced by C. R. Ashbee's Guild of Handicrafts. W. R. Lethaby was the building's architect and first principal. Notable alumni include Lucian Freud, Eric Gill, Victor Pasmore, Viv Stanshall, Joe Strummer, Antony Gormley.£550 each -
Small English lead planter,
£550 eachSmall English lead planter,
square in section, each side cast with a panel centred by a lion mask. We have a larger one stock ref. 91074, which is 36 cm x 46 cm high.
£550 each -
An English cast plaster relief panel,
£545An English cast plaster relief panel,
the richly ornamented frieze cast with an acanthus clasp issuing four successive fruiting and flowering acanthus scrolls,£545 -
Snakes by Albertus Seba (1665-1736)
£540 eachSnakes by Albertus Seba (1665-1736)
Published to illustrate Seba's 'cabinet of curiosities' Framed£540 each -
Snakes by Albertus Seba (1665-1736)
£540 eachSnakes by Albertus Seba (1665-1736)
Published to illustrate Seba's 'cabinet of curiosities' Framed£540 each -
Snakes by Albertus Seba (1665-1736)
£540 eachSnakes by Albertus Seba (1665-1736)
Published to illustrate Seba's 'cabinet of curiosities' Framed£540 each -
Snakes by Albertus Seba (1665-1736)
£540 eachSnakes by Albertus Seba (1665-1736)
Published to illustrate Seba's 'cabinet of curiosities' Framed£540 each -
Snakes by Albertus Seba (1665-1736)
£540 eachSnakes by Albertus Seba (1665-1736)
Published to illustrate Seba's 'cabinet of curiosities' Framed£540 each -
Snakes by Albertus Seba (1665-1736)
£540 eachSnakes by Albertus Seba (1665-1736)
Published to illustrate Seba's 'cabinet of curiosities' Framed£540 each -
Snakes by Albertus Seba (1665-1736)
£540 eachSnakes by Albertus Seba (1665-1736)
Published to illustrate Seba's 'cabinet of curiosities' Framed£540 each -
A large Victorian iron-bound teak travelling chest for silver,
£535A large Victorian iron-bound teak travelling chest for silver,
the rectangular chest with steel straps to the corners, iron carrying handles and a lid with three brass hinges and a sprung stay, the insulatedd interior lined with green baize and marbled papers and with fitted compartments for a silver service - still labelled "sugar caster", "coffee pot", "Oblong Entree Dish and Cover" etc.£535 -
An English veneered mahogany door,
£510 -
Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Modern glass pendant globe,
£500 -
An attractive narrow Victorian double-hung stained glass sash window
£495 the two sashesAn attractive narrow Victorian double-hung stained glass sash window
each rectangular pine sash with leaded polychrome glass painted with a stylised foliate ornament and a scarlet ribbon border - the design uniting the two windows,£495 the two sashes -
An English cast iron fireback,
£485An English cast iron fireback,
the rectangular plate with an arched top, cast in relief with an armorial flanked by a wyvern and a lion supporting, the shield centred by a rose and with a coronet surmount,£485 -
An English glazed front door,
£485An English glazed front door,
with a single glazed panel over three blind heavily moulded panels and a letter-plate,£485 -
An English cast plaster of the head and fore-paws of “The Eygptian Lion”,
£485An English cast plaster of the head and fore-paws of “The Eygptian Lion”,
the lioness with bulbous eyes and soporific expression, flanked by large paws, can be wall-hung,£485 -
Gilt-bronze model of Ceres,
£475Gilt-bronze model of Ceres,
modelled seated holding torch aloft in one hand and with a sheaf of wheat in the other, on plinth base. Italian, nineteenth century.£475 -
Polished aluminium bar stool bases,
£475 eachPolished aluminium bar stool bases,
These are reproduction items cast from an original one-off batch acquired some time ago.£475 each -
The head of Cleopatra VII (or a Ptolemaic lady),
£465The head of Cleopatra VII (or a Ptolemaic lady),
the female head, her hair elaborately coiffured, the head mounted on a block of Ashburton marble,£465 -
A Victorian pine front door,
£450A Victorian pine front door,
with six radial glazed panes above six graduated blind panels, complete with brass knocker and letter-plate,£450 -
An Art Deco composition stone lion mask,
£450 -
Nineteenth century bronze of the Heroic Putti,
£450Nineteenth century bronze of the Heroic Putti,
modelled holding shield and sword aloft on circular Aswan marble plinth base, possibly German, after the originals from the Mariensäule column in Munich by Ferdinand Murmann.£450 -
An old English staddlestone,
£445An old English staddlestone,
the circular domed top raised on a tapered square section base, old lichen and moss,£445 -
A late George III cast iron hob grate,
£440A late George III cast iron hob grate,
the rectangular reeded backplate and railed basket flanked by narrow hobs, the hob fronts and apron cast in relief with raised foliate ornament,£440 -
An English pine front door,
£440 -
A large quantity of mid Victorian stoneware corbels
£440 per pairA large quantity of mid Victorian stoneware corbels
each corbel cast with an acanthine clasp,£440 per pair -
An Edwardian oak strong box for silver,
£425An Edwardian oak strong box for silver,
the rectangular trunk with steel straps and with a slightly domed hinged lid, bearing the maker's label and the owners label painted to the front: "The Hon(ble) George F. Stanley",£425 -
A George III painted pine four-panel door,
£425 -
An English plaster relief-cast figurative roundel,
£425An English plaster relief-cast figurative roundel,
the seated female figure modelled in relief proffering grapes to a needy putto,£425 -
A wrought iron over-door fanlight
£420A wrought iron over-door fanlight
the demi-lune window way (not glazed) constructed in rectangular bar as scrolls around a central circlet,£420 -
‘The signal is against holiday travel this Easter’
£420‘The signal is against holiday travel this Easter’
Born in Yarmouth, Reginald Mayes’ career began in the design studio of the Eastern Daily Press in Norwich. He moved to London where he designed water marks for paper manufacturers and studied life drawing at the Regent Street Polytechnic and Lithography under Gardiner, Clive. In the early 1930s he became chief staff artist at the London Midland and Scottish Railway public relations department, designing leaflets and posters. In the Second World War, Mayes produced a wide range of anti-travel and propaganda posters for the Railway Executive Committee. They discouraged railway travel with some humorous slogans such as ‘The signal is against holiday travel this Easter’. After the war he did freelance work before retiring to Kent where he relaxed painting landscapes.£420 -
Reclaimed 6 1/2″ pine floorboards (6.5sqm ex Barnes)
£415 the batch (incl VAT)Reclaimed 6 1/2″ pine floorboards (6.5sqm ex Barnes)
Square edge boards - formerly biscuit jointed - the edge could be re-laid with fresh biscuit joints . Distress and losses to the lower (thinner) flange of the edges - being thicker boards the upper flange has enough integrity to lay as per square-edged. Condition: pewter patina, pleasantly worn with dints and scratches commensurate with age, surface nail holes but solid and uniform - good straight grain. 165mm wide; lengths across the batch: four at 3m, at least one other at 2m but the rest mostly shorts [35mm thick], (the shortness and thickness is reflected in the price). A useful bale of project timber.£415 the batch (incl VAT) -
A matched set of English steel fire irons,
£395A matched set of English steel fire irons,
comprising shovel, tongs and poker, with a pierced bell shaped shovel and faceted grips,£395 -
An old English staddlestone,
£395An old English staddlestone,
the circular domed top taised on a tapered rectangular section base, roughly hewn, old lichen and moss,£395 -
An English painted pine front door,
£395An English painted pine front door,
of two-panel construction, the top incorporating two square lights, both incorporating flush-panel mouldings to the obverse,£395 -
Lord Leighton, Wedded,
£395 -
A relief-cast plaster pilaster capital,
£395A relief-cast plaster pilaster capital,
the Roman ionic order capital with splayed volutes centred by a lobed urn in forced perspective,£395 -
A relief-cast plaster plaque of the Virgin and Child,
£395A relief-cast plaster plaque of the Virgin and Child,
the veiled Madonna, carved standing half-length in front of a shallow niche and supporting the Christ figure who stands partly on a cushion beside her, His right arm around her neck, His left hand on hers,£395 -
An English relief-cast roundel,
£395 -
A Country House steel log fork,
£385 -
Reclaimed 5 3/4″ pine floorboards (4.4sqm ex Gerrard’s Cross)
£380 the batch (incl VAT)Reclaimed 5 3/4″ pine floorboards (4.4sqm ex Gerrard’s Cross)
Condition: honey patina - gently sanded to a uniform colour - pleasantly weathered with dints and scratches commensurate with age, surface nail holes but solid and uniform boards - good straight grain. 120mm wide, at 300mm thick these boards are good and solid - but be mindful of tolerances at thresholds etc. **Check if an associated larger batch of the same source of timber is still available (Search Stock Code: "46436" ) - different width board but combine them , laying in alternating courses, to get a 20sqm coverage in this good looking board.£380 the batch (incl VAT) -
A small English limestone trough
£375A small English limestone trough
the cistern, with thick walls, roughly hewn, lichen growths and with knocks and marks commensurate with age,£375 -
An English plaster cast of an acanthus leaf,
£375An English plaster cast of an acanthus leaf,
the arched leaf with a delicate serrated edge mounted on a rectangular plaque,£375 -
An English plaster head of the young bearded Hadrian,
£365 excluding socle or mounting block,An English plaster head of the young bearded Hadrian,
the head of the young man, slightly larger thn life size, with short curly locks and head turned slightly to the left, pin mounted,£365 excluding socle or mounting block, -
The Hew Draper graffito tablet
£365The Hew Draper graffito tablet
the rectangular tablet incised with a zodiac wheel, signs of the zodiac, numbers and dates for the casting of horoscopes, bearing the inscription "HEW DRAPER OF BRISTOW (Bristol) MADE THIS SPEER (sphere) THE 30 DAYE OF MAYE, 1561" and a founder's stamp "No.1.S"
£365 -
A pair of French painted oak shutters
£360A pair of French painted oak shutters
the bi-fold flush panelled leaves with louvred upper part, original double strap hinges, distressed paint,£360 -
A pair of English composition stone gate-pier ball finials,
£360 the pairA pair of English composition stone gate-pier ball finials,
each with a sphere held aloft on a spreading knopped socle above an integral square-section plinth foot,£360 the pair -
A relief cast plaster plaque of Andrea di Bono,
£360A relief cast plaster plaque of Andrea di Bono,
the portrait head carved in deep relief turning a sinestra, the young man depicted with cloaked shoulders and framed within a scallop shell,£360 -
Modern smoked glass pendant globe,
£350 -
A panel of stained glass,
£350 -
Japanese rice bag blanket,
£350Japanese rice bag blanket,
A large patchwork blanket with Nippon and Nis-shin flour branding hand printed on cotton. Boro translating as “scraps of cloth” in Japanese, Boro is a symbol of a “use everything and waste nothing” philosophy. It is a utilitarian material. Born from a period when Japan closed its ports to foreign goods, fabrics like cotton became extremely precious and rare. These materials were saved and repurposed from each generation to the next.£350 -
An English relief cast plaster Asclepius keystone
£350An English relief cast plaster Asclepius keystone
the bearded mask modelled on the tapered keystone,£350 -
A cast plaster relief of Scipio Africanus
£350A cast plaster relief of Scipio Africanus
the general depicted in fantastical armour in profile,£350 -
A composition stone fountain mask of Father Thames
£350
Featured Items
-
Femme au Chapeau by Henri Matisse, Verve Vol 2 / No. 5-6.
£800Femme au Chapeau by Henri Matisse, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Divagations II, by Henri Matisse, Verve Vol. 1 / No. 1.
£600Divagations II, by Henri Matisse, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600