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A small Regency gothick cast iron hob grate
£1,150A small Regency gothick cast iron hob grate
the rectangular backplate, probably later, cast with repeating foliate loops above the railed basket flanked by hob-fronts cast with lancet-arched recesses, the apron pierced with quatrefoils above the aperture cast as a Tudor arch,£1,150 -
English copper stable lantern,
£1,150 -
Stable back lamps,
£1,150 eachStable back lamps,
copper with detachable reflector plates. We currently have one in stock, if you would like more please contact us.£1,150 each -
An English copper Winsor street lantern,
£1,125An English copper Winsor street lantern,
the square section tapered body with cupped spinnings a cylindrical chimney vent atop the tented roof, all raised on a four-pronged chair-iron, the electric lamp-holder wired from the base,£1,125 -
A Victorian cast-iron semi-lobed campana urn on a stoneware pedestal,
£1,125A Victorian cast-iron semi-lobed campana urn on a stoneware pedestal,
the flared vase with lobed rim, applied with acathine scrollwork to the body (some lacking), a pair of mask and loop handles and raised on a spreading socle foot, the pedestal modelled with a wreath to each side and bearing the maker's stamp to the foot "Lindsey & Anderson, Lillie Hill, Terracotta Works, Dunfermline.£1,125 -
An elegant Scottish cast iron lamp post,
£1,120An elegant Scottish cast iron lamp post,
the slender tapered fluted stem supporting ladder bars cast with "Nicolson Square", all raised on a square section foot bearing the foundry-mark,£1,120 -
A pair of Regency style two-branch gilt-bronze wall-lights
£1,120 the pairA pair of Regency style two-branch gilt-bronze wall-lights
each with a pair of cornucopia arms supporting engine-turned sconces and issuing from a loop and tasseled drapery back-plate - centred with a knot, wired for electricity,£1,120 the pair -
A Victorian copper and wrought iron weathervane
£1,100A Victorian copper and wrought iron weathervane
the pennant vane modelled in copper, the indices mounted on a round-section knopped standard and supported with scrollwork and leafy clasps,£1,100 -
An English copper Winsor street lantern,
£1,060An English copper Winsor street lantern,
the square section tapered body with cupped spinnings and a pointed finial atop the tented roof, all raised on a four-pronged chair-iron with cylindrical spigot, the electric lamp-holder wired from the soffit,£1,060 -
Early twentieth century brass club fender,
£1,000Early twentieth century brass club fender,
the brass seat rail on square section supports, each wrythen to the centre£1,000 -
Brass twelve branch chandelier,
£1,000 -
The Parthenon Marbles: A sculptural relief from the West façade of the Doric Frieze,
£995The Parthenon Marbles: A sculptural relief from the West façade of the Doric Frieze,
the rectangular panel cast in low-relief with two horsemen reining in their mounts, the leader turning, his left arm raised, a cloak billowing from his shoulders,£995 -
An English copper Winsor street lantern,
£980An English copper Winsor street lantern,
the square section tapered body with cupped spinnings and a pointed finial atop the tented roof ridged down to each corner, all raised on a four-pronged chair-iron, the electric lamp-holder wired from the soffit,£980 -
A “London Circular” copper and lead street lantern,
£955A “London Circular” copper and lead street lantern,
the circular section tapered body with a rising top and spinnings with pierced lead decorative crestings, wired for electricity,£955 -
Georgian style brass hall lantern,
£950Georgian style brass hall lantern,
of hexagonal form, the knopped s-shaped brackets supporting body with cut-glass sunburst panels and single light fitment within.£950 -
Art Deco style pendant light,
£950 -
An English copper Winsor street lantern,
£945An English copper Winsor street lantern,
the square section tapered body with pointed spinnings atop the tented roof, all raised on a four-pronged chair-iron, the electric lamp-holder wired from the base,£945 -
A set of English wrought iron and brass fire irons,
£945A set of English wrought iron and brass fire irons,
comprising shovel, tongs and log fork, the bell shaped shovel with scroll-work supporting brackets, the tongs with claw terminii, each with tapered square-section shafts and with a grip cast as a term putto,£945 -
A late Victorian cast iron firegrate
£925A late Victorian cast iron firegrate
the arched backplate centred with a sunflower boss, the railed basket with knopped central bar and topped with ball finials, raised on baluster supports,£925 -
Edwardian oil on canvas of a reclining lady,
£925 -
A Victorian mahogany high centre table,
£925A Victorian mahogany high centre table,
the square alabaster top raised on a square section pedestal, collared with a rack pierced with eight circles, raised on a square section plinth,£925 -
An English sandstone trough,
£920An English sandstone trough,
the rectangular cistern, with a dished cavity, lichen growths and with knocks and marks commensurate with age,£920 -
Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
Verve, ‘The Last Works of Henri Matisse’,
£900Verve, ‘The Last Works of Henri Matisse’,
'Decoration - Masques' from Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse', float mounted in a limed oak frame.£900 -
Verve, ‘The Last Works of Henri Matisse’,
£900Verve, ‘The Last Works of Henri Matisse’,
'Decoration - Fruits' from Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'.£900 -
Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
Rare example of a reversed engraving on glass, depicting Caroline of Brunswick, made c1821
£900Rare example of a reversed engraving on glass, depicting Caroline of Brunswick, made c1821
Reverse glass printing is a process whereby a print is transferred to a sheet of glass, varnished and coloured to resemble an oil painting.
The Prince of Wales, son of King George III was introduced to his potential bride, Caroline of Brunswick out of need for money as he was in great debt. Caroline famously, short, fat, ugly and never changed her undergarments, and rarely washed. Her body odour was overwhelming.
Caroline was very popular with the London public whilst King George was not. Every day when attending the House of Lords her coach was escorted by the cheering mob. George IV’s Coronation was to be the 29th April 1821 but Caroline was told that she would not be taking part in it. Undaunted Caroline arrived at the door of Westminster Abbey on the day demanding to be admitted, but the doors were slammed in her face.
She died 19 days after her frustrated attempt to get into the Abbey and was buried in Brunswick, and on her coffin was inscribed… ‘CAROLINE THE INJURED QUEEN OF ENGLAND’.
£900 -
Portrait of a Gentleman
£900 -
An Edwardian etched glass front door
£900 + VATAn Edwardian etched glass front door
painted hardwood, one tall glazed panel over a short, flush panel, both with raised mouldings, the glass etched with an urn issuing foliage within a leaf pattern and starburst border,£900 + VAT -
Grocery and Provisions shopkeepers signboards
£900 each,Grocery and Provisions shopkeepers signboards
The Brilliant Sign Co were the foremost suppliers of shop signboards from their inception in 1888 through their innovative use of V-sectioned copper lettering, as used in this run supplied to the firm ‘G.T Morgan’. This development superceded the incised wooden letter and meant that a less skilled labour force could complete the work in less time. These boards were discovered under the fascia of the Liberal Democrat's offices in Felsham Road, Putney. ‘Brilliant Signs Ltd’£900 each, -
A small French cast iron free-standing hob grate
£875A small French cast iron free-standing hob grate
the tall pierced backplate cast with Baroque ornament and a pair of seated figures supporting a vase and bearing the founder's stamp, above the bowed railed basket, flanked by caryatid putti and raised on shaped supports,£875 -
A run of English hoop-topped wrought iron railing,
£875 the lotA run of English hoop-topped wrought iron railing,
comprising a run of four sections of differnet widths, each section comprising round-bar uprights on 8cm centres, each paired with an adjacent with a hooped top, peeling paint,£875 the lot -
An English Blacksmith’s iron quenching trough,
£875An English Blacksmith’s iron quenching trough,
the slightly tapered rectangular trough, with ring handles to each short end and raised on stile feet,£875 -
A pair of Victorian heavy-duty pine warehouse doors
£850 the pairA pair of Victorian heavy-duty pine warehouse doors
the obverse planked and studded, the robust framework hung on strap hinges, old paint, wear-and-tear commensurate with a long life in a busy industrial setting,£850 the pair -
A pair of Victorian heavy-duty pine warehouse doors
£850 the pairA pair of Victorian heavy-duty pine warehouse doors
the obverse planked and studded, the robust framework hung on strap hinges, old paint, wear-and-tear commensurate with a long life in a busy industrial setting,£850 the pair -
Nineteenth century copper vat,
£850 -
Large gold plated Louis XV style appliques,
£850 each -
Head of a Girl by Paul Klee, Verve Vol 2 / No. 5-6.
£800Head of a Girl by Paul Klee, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
£800Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
£800Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Femme au Chapeau by Henri Matisse, Verve Vol 2 / No. 5-6.
£800Femme au Chapeau by Henri Matisse, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Figure by Georges Braque, Verve Vol 2 / No. 5-6.
£800Figure by Georges Braque, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
£800Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Made by LASSCO 8ft pine dining table,
£800Made by LASSCO 8ft pine dining table,
constructed from reclaimed Victorian floor boards, suitable for ten people.£800 -
Pair of modern silver-plate wall lights,
£800 each pairPair of modern silver-plate wall lights,
the storm shades with silver rims. Two pairs available, one pair without silver rims.£800 each pair -
Verve, ‘The Last Works of Henri Matisse’,
£800Verve, ‘The Last Works of Henri Matisse’,
'Baigneuse dans les Roseaux' from Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse', float mounted in a limed oak frame.£800 -
Verve, ‘The Last Works of Henri Matisse’,
£800Verve, ‘The Last Works of Henri Matisse’,
'Coquelicots' from Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse', float mounted in a limed oak frame.£800 -
Verve, ‘The Last Works of Henri Matisse’,
£800Verve, ‘The Last Works of Henri Matisse’,
'La Negresse' from Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse', float mounted in a limed oak frame.£800 -
Verve, ‘The Last Works of Henri Matisse’,
£800Verve, ‘The Last Works of Henri Matisse’,
'Acanthes' from Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse', float mounted in a limed oak frame.£800 -
Nineteenth century French wall mounted lantern,
£800Nineteenth century French wall mounted lantern,
with gilt finial above glazed and tapered body , the single light fitting on s-shaped brass bracket, with copper reflector to the rear. Re-wired.£800 -
English lead planter
£800 -
An early Victorian brass and polished steel fireplace fender,
£795An early Victorian brass and polished steel fireplace fender,
the square sided fender with a moulded band of ornament, raised on lion's paw feet and with fire-hook standards to each end,£795 -
A French carved wood horse’s head,
£780 -
An English copper Winsor street lantern,
£775An English copper Winsor street lantern,
the square section glazed, tapered body with cupped spinnings and a pointed finial atop the canted lid, all raised on a four-pronged chair-iron with cylindrical spigot, the electric lamp-holder wired from the base,£775 -
A pair of English mahogany doors,
£775 the pairA pair of English mahogany doors,
each leaf with four rectangular flush-moulded panels to each side,£775 the pair -
‘Fashion 69’ illuminated sign,
£750 -
Pair of nineteenth century French chenets,
£750Pair of nineteenth century French chenets,
each with large flaming classical urn with Satyr mask handles with garlands hung between, raised on strigilated plinth, the horiztontal supports with paterae details leading to a flaming torchere on fluted plinth.£750 -
A Victorian cast iron street lamp post,
£725A Victorian cast iron street lamp post,
the tapered post incised with stylised ornament and collars, the ladder bars cast as foliate branches,£725 -
A trio of Victorian carved Portland stone pedestals,
£725 eachA trio of Victorian carved Portland stone pedestals,
each solid stone block, square in section, carved to the front facade with a ribbon-tied graduating bell-flower pendant,£725 each -
An English limestone trough,
£720An English limestone trough,
the rectangular cistern, moss and lichen growths and with knocks and marks commensurate with age,£720 -
A George III cast iron hob grate
£700A George III cast iron hob grate
the three bar basket above an apron of opposed anthemions with central oval patera, flanked by convex cheeks cast with repeating diamonds and Greek key border, stamped 'Dale & Co.' to both feet,£700 -
Silver communion chalice,
£700Silver communion chalice,
the chalice cup gilded leading to decorative stem set with almandine garnets, raised on flower shaped base. 271g.£700 -
An English plaster architectural relief-plaque,
£685An English plaster architectural relief-plaque,
the rectangular plaque cast in relief with a ribbon-tied drapery swag, tasseled to its edge, the plaque cast in two halves and framed with a moulded border,£685 -
A pair of English composition stone gate-pier ball finials,
£680 the pairA pair of English composition stone gate-pier ball finials,
each with a sphere held aloft on a spreading knopped socle above an integral square-section plinth foot,£680 the pair -
An English buff stoneware garden urn,
£680An English buff stoneware garden urn,
a tazza shaped bowl with an everted rim and lobed body raised on a spreading socle,£680 -
A cast plaster relief depicting classical figures with a tethered bull
£680A cast plaster relief depicting classical figures with a tethered bull
Cast at LASSCO Three Pigeons by Peter Hone. This relief plaque was cast from a Coade stone original – we have two similar available. Peter Hone bought the plaques from Miles D’Agar at the Furniture Cave some years ago. They are now in the collection of Sir Jacob Rothschild, We can’t find reference to the original manufacture of this design at Coade. They are undoubtedly drawn from a classical source – they look to be part of a Panathanaic frieze – and bear similarities to the Coade frieze at Ickworth House in Suffolk. The frieze designs at Ickworth were drawn from Flaxman’s illustrations to Homer. Research continues. See Alison Kelly “Mrs Coade’s Stone”, Self Publishing Asscn. 1990, pp175-7.£680 -
England and France, after William Hogarth published c1805
£650 the setEngland and France, after William Hogarth published c1805
William Hogarth produced these prints to boost public morale when an invasion from France seemed probable.
Hogarth depicts the weak and emaciated army ready to invade England. The alehouse sign reading 'Meagre Soup at the Royal Comb' points this up. There is also an officer roasting four frogs on his sword. A further soldier carries a banner which reads 'Vengeance with the good beer and good beef of England'. There is also a portly monk (obviously the church folk won't be hungry), and he carries plans for a monastery to be built at Blackfriars.
In contrast he believed the English to be always well fed and always merry, despite the evidence of widespread poverty. Here a recruitment officer is shown measuring up a volunteer. The man has to stand on tiptoe to reach the required height. A round of beef and some porter is on the table in front of some revellers, one of whom is drawing a pastiche of the French King, who is uttering the words "You take my fine ships you bede pirate you bede Teef me send my grand armies and hang you all Morbleu."
£650 the set -
An English relief carved limestone plaque,
£640An English relief carved limestone plaque,
the weathered carving of a pair of winged armorini above a swagged, tasselled drape, one face damaged,£640 -
An English plaster cast of a clam shell
£640An English plaster cast of a clam shell
the detailed cast shell with encrusted texture raised on low plinth base,£640 -
An English mahogany four panelled door
£625 -
An English mahogany two panelled door
£625 -
Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Divagations II, by Henri Matisse, Verve Vol. 1 / No. 1.
£600Divagations II, by Henri Matisse, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
£600The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
£600The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Four Elements, Fire by Abraham Rattner, Verve Vol. 1 / No. 1.
£600The Four Elements, Fire by Abraham Rattner, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Sun by André Masson, Verve Vol. 1 / No. 2.
£600The Sun by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Moon by André Masson, Verve Vol. 1 / No. 2.
£600The Moon by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Twin light glass wall sconces,
£600 a pairTwin light glass wall sconces,
with stylised leaf frond between the two scrolled branches.£600 a pair -
Set of six silver gilt fruit spoons,
£600Set of six silver gilt fruit spoons,
Four of the set of six are London stamped, three dated 1811, one dated 1814. The other two stamped Edinburgh dated 1815. Each spoon having shape scoop section with reppouse berry details and engraved decoration to stem.£600 -
The head of a Young Athlete,
£595The head of a Young Athlete,
the young male with curly hair, almost certainly from a statue, mounted on an Ashburton marble block,£595 -
A cast plaster section of foliate scroll frieze
£560 -
Joiner’s workbench,
£550 eachJoiner’s workbench,
A number of joinery workshop benches available. 'EMIR Made in London', England, removed from The Central School of Art & Design, Southampton Row, Bloomsbury, London; established by the L.C.C (London County Council) in 1896 influenced by C. R. Ashbee's Guild of Handicrafts. W. R. Lethaby was the building's architect and first principal. Notable alumni include Lucian Freud, Eric Gill, Victor Pasmore, Viv Stanshall, Joe Strummer, Antony Gormley.£550 each -
Small English lead planter,
£550 eachSmall English lead planter,
square in section, each side cast with a panel centred by a lion mask. We have a larger one stock ref. 91074, which is 36 cm x 46 cm high.
£550 each -
Snakes by Albertus Seba (1665-1736)
£540 eachSnakes by Albertus Seba (1665-1736)
Published to illustrate Seba's 'cabinet of curiosities' Framed£540 each -
Snakes by Albertus Seba (1665-1736)
£540 eachSnakes by Albertus Seba (1665-1736)
Published to illustrate Seba's 'cabinet of curiosities' Framed£540 each -
Snakes by Albertus Seba (1665-1736)
£540 eachSnakes by Albertus Seba (1665-1736)
Published to illustrate Seba's 'cabinet of curiosities' Framed£540 each -
Snakes by Albertus Seba (1665-1736)
£540 eachSnakes by Albertus Seba (1665-1736)
Published to illustrate Seba's 'cabinet of curiosities' Framed£540 each -
Snakes by Albertus Seba (1665-1736)
£540 eachSnakes by Albertus Seba (1665-1736)
Published to illustrate Seba's 'cabinet of curiosities' Framed£540 each -
Snakes by Albertus Seba (1665-1736)
£540 eachSnakes by Albertus Seba (1665-1736)
Published to illustrate Seba's 'cabinet of curiosities' Framed£540 each -
Snakes by Albertus Seba (1665-1736)
£540 eachSnakes by Albertus Seba (1665-1736)
Published to illustrate Seba's 'cabinet of curiosities' Framed£540 each -
A large Victorian iron-bound teak travelling chest for silver,
£535A large Victorian iron-bound teak travelling chest for silver,
the rectangular chest with steel straps to the corners, iron carrying handles and a lid with three brass hinges and a sprung stay, the insulatedd interior lined with green baize and marbled papers and with fitted compartments for a silver service - still labelled "sugar caster", "coffee pot", "Oblong Entree Dish and Cover" etc.£535
Featured Items
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The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
£600The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
£800Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500