327 items found
Page 4 of 4
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Edible and Poisonous Fungi lithographs,
£48 eachEdible and Poisonous Fungi lithographs,
printed in 1945 by John Swain Ltd. 'Marasmius oreades'.£48 each -
Edible and Poisonous Fungi lithographs,
£48 eachEdible and Poisonous Fungi lithographs,
printed in 1945 by John Swain Ltd. 'Boletus felleus'.£48 each -
Edible and Poisonous Fungi lithographs,
£48 eachEdible and Poisonous Fungi lithographs,
printed in 1945 by John Swain Ltd. 'Lepiota procera'.£48 each -
Edible and Poisonous Fungi lithographs,
£48 eachEdible and Poisonous Fungi lithographs,
printed in 1945 by John Swain Ltd. 'Boletus versipellis'.£48 each -
Edible and Poisonous Fungi lithographs,
£48 eachEdible and Poisonous Fungi lithographs,
printed in 1945 by John Swain Ltd. 'Amanita pantherina'.£48 each -
Edible and Poisonous Fungi lithographs,
£48 eachEdible and Poisonous Fungi lithographs,
printed in 1945 by John Swain Ltd. 'Psalliota campestris'.£48 each -
Edible and Poisonous Fungi lithographs,
£48 eachEdible and Poisonous Fungi lithographs,
printed in 1945 by John Swain Ltd. 'Sparassis crispa'.£48 each -
Moulded glass lemonade set,
£45Moulded glass lemonade set,
comprised of jug with five glasses (one glass in the photographed set broken)£45 -
Curtis’s Botanicals, published 1892
£45 -
Natural History, original hand-coloured wood engravings published c1850
£40Natural History, original hand-coloured wood engravings published c1850
The Society for Promoting Christian Knowledge (SPCK) is the third oldest publishing house in England, after the Oxford and Cambridge University Presses. It was founded in 1698 by an Anglican priest, Thomas Bray who believed passionately in the power of the printed word. In its first two hundred years, the Society founded many charity schools for poor students in the 7 to 11 age group. It is from these schools that the modern concept of primary and secondary education has grown. Although the SPCK originally dealt with just Christian subjects, from the 1830s onwards it was publishing general educational topics as well. SPCK's early publications were distributed through a network of supporters who received books and tracts to sell or give away in their own localities. Large quantities of Christian literature were provided for the Navy, and the Society actively encouraged the formation of parish libraries and was also an early provider of teacher training.£40 -
French enamelled house numbers,
£20 each -
French enamelled house numbers,
£20 each -
French enamelled house numbers,
£20 each -
French enamelled house numbers,
£20 each -
French enamelled house numbers,
£20 each -
French enamelled house numbers,
£20 each -
French enamelled house numbers,
£20 each -
French enamelled house numbers,
£20 each -
French enamelled house numbers,
£20 each -
French enamelled house numbers,
£20 each -
French enamelled house numbers,
£20 each -
French enamelled house numbers,
£20 each -
French enamelled house numbers,
£20 each -
French enamelled house numbers,
£20 each -
French enamelled house numbers,
£20 each -
French enamelled house numbers,
£20 each -
Plastic school coat hooks,
£10 each
Featured Items
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The Moon by André Masson, Verve Vol. 1 / No. 2.
£600The Moon by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Divagations II, by Henri Matisse, Verve Vol. 1 / No. 1.
£600Divagations II, by Henri Matisse, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
£800Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800