267 items found
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Pair of large French glass eleven light chandeliers,
£18,000 the pairPair of large French glass eleven light chandeliers,
the baluster stem issuing two tiers of wrythen branches hung with threads of glass droplets, with ball finial to the base.£18,000 the pair -
Large Regency Statuary marble fireplace
£15,000Large Regency Statuary marble fireplace
a substantial statuary marble fireplace, c.1820-1830 in the manner of Thomas Hope, the moulded rectangular shelf above plain frieze flanked by raised and fielded panel jambs with foliate and acanthus carved capitals, on block feet.£15,000 -
A large poplar and glazed bookcase,
£8,500A large poplar and glazed bookcase,
The moulded cornice above four glazed doors enclosing adjustable shelving, the lower section of fielded doors on plinth base. Internal shelf depth of top section 30cm, of bottom 47cm.£8,500 -
Louis XVI style Carrara marble and ormolu mounted fireplace,
£7,500Louis XVI style Carrara marble and ormolu mounted fireplace,
the shaped and moulded shelf above frieze centred by fluted panel adorned with trails of foliage and ribbons, the paterae endblocks with beaded border raised on acanthus clasped scrolled and moulded jambs with imbricated decoration to the centre, on blockfeet, the returns with carved panel ornament.£7,500 -
George III style Statuary and Verde Antico marble chimneypiece,
£7,500George III style Statuary and Verde Antico marble chimneypiece,
the inverse breakfront shelf above inlaid frieze centred by relief carved frieze of the Goddess Iris / Flora, the jambs with conforming marble inlay, all raised on square footblocks. Opening width 112 cm x 99 cm high£7,500 -
George II Clipsham stone fire surround,
£7,250George II Clipsham stone fire surround,
of architectural form, the panelled header centred by fluted Keystone on stop-fluted jambs, on block feet.£7,250 -
A plan of the cities of London and Westminster, and borough of Southwark,
£4,800 the set of 24 sheetsA plan of the cities of London and Westminster, and borough of Southwark,
The idea to do a new survey had come from the engraver George Vertue, but he and John Rocque could not come to an agreement. Rocque, began the painstaking project in 1737 in partnership with another engraver, John Pine, to survey the central area of London and Westminster, which eventually took 9 years. The completed map measured 6 ½ feet by 13 and comprised of 24 separate sheets. It encompassed an area of 10,000 acres and drawn at a scale of 200ft to the 1inch.£4,800 the set of 24 sheets -
A George III pine chimneypiece,
£4,650A George III pine chimneypiece,
having stepped shelf, leading to dentil detail above a well carved frieze centered by detailed flower and garlands flakned by a stylised eagles and foliate and leaf details, white marble ingrounds framed by carved details of shell and leaf motifs raised on marble footblocks£4,650 -
The environs of London in 1746. Impressive sixteen sheet set.
£4,500 the set of sixteen sheetsThe environs of London in 1746. Impressive sixteen sheet set.
John Rocque was of French Huguenot stock from Monosque in Provence. The London he eventually settled in, was an expanding city which had grown unchecked and by the 1730s a new map was needed. Harry Margary, a Senior Civil Scientific Engineer for the Admiralty and self-professed inventor, produced this full-size facsimile of the famous John Rocque map in 1971. The original 18th century map never joined properly due to paper shrinkage in the printing process and only the constituent copper plates joined. For this lithographically printed version Margary altered some of the edges so the maps would join and significantly cleaned up the image area.£4,500 the set of sixteen sheets -
Substantial Italian1940s parcel-gilt wrought iron chandelier,
£4,500Substantial Italian1940s parcel-gilt wrought iron chandelier,
with acanthus clasped scrolled arms, with foliate nozzles and drip-trays£4,500 -
French early twentieth century gilt-metal sixteen light chandelier,
£4,500French early twentieth century gilt-metal sixteen light chandelier,
hung all over with cut and moulded clear glass shaped droplets and star motifs, the central column fitted with large faceted and smaller moulded elements surrounded by an open cage issuing S- branches with turned nozzles, re-wired and PAT tested.£4,500 -
Victorian iron and brass Griffin fire grate,
£4,000Victorian iron and brass Griffin fire grate,
the rococo backplate centred by cabochon, the grate composed of a run of doric columns with a Greek key apron band below, all supported on finely cast brass Griffin monopodia with hairy paw feet.£4,000 -
A French gilt-brass and cut-glass twelve-light chandelier,
£3,950A French gilt-brass and cut-glass twelve-light chandelier,
the baluster stem issuing two tiers of scrolled arms, well-cast with acanthine detailing, the sconces - with lobed glass drip-pans hung with prismatic drops, the whole hung with faceted glass drops, terminating with a cluster of grapes,£3,950 -
Two twentieth century cut and moulded glass twelve light chandeliers,
£3,850 eachTwo twentieth century cut and moulded glass twelve light chandeliers,
in the eighteenth century style, with two tiers of six branches, all hung with faceted droplets. Sold individually£3,850 each -
Large Italian 1950s hall mirror,
£3,750Large Italian 1950s hall mirror,
with brass bound frame, mounted on rosewood back-board, with glazed cabinet to one side.£3,750 -
Pair of Art Deco style wall lights,
£3,600Pair of Art Deco style wall lights,
with chrome and glass rod trefoil body. Available in a variety of finishes£3,600 -
Eighteen light brass Flemish style chandelier,
£3,500Eighteen light brass Flemish style chandelier,
with some wear to the lacquered finish, re-wired and PAT tested, will require chain and ceiling rose.£3,500 -
Pair of Baccarat glass wall appliques,
£3,500Pair of Baccarat glass wall appliques,
each with gadrooned backplate and scallop-edged gadrooned bowl issuing two wrythen arms, the drip-pans hung with pendant droplets, each with etched glass storm shade.£3,500 -
Brass Flemish style chandelier,
£3,500 eachBrass Flemish style chandelier,
with two tiers of six scrolled arms each with turned nozzles and drip pans.£3,500 each -
Large French limestone trough,
£3,250Large French limestone trough,
with rough hewn and well weathered exterior with extensive lichen growth.£3,250 -
Pair of watercolour and ink paintings of Brighton Beach by George Charlton
£3,200 the pairPair of watercolour and ink paintings of Brighton Beach by George Charlton
The disrupted picnic, Brighton beach; and Family frolics on Brighton beach signed and dated 'George Charlton 1934' (lower right), the second signed 'George Charlton' (upper right) Framed£3,200 the pair -
A French brass and cut-class nine-light birdcage chandelier,
£3,000A French brass and cut-class nine-light birdcage chandelier,
the open tri-form framework of shaped square-section bar around a central glass finial, each armature supporting a glass finial, with three scrolled arms to each interval supporting drip-pan sconces, hung over-all with faceted glass drops, terminating with a glass sphere drop,£3,000 -
George IV cast iron register grate,
£3,000George IV cast iron register grate,
the cushion moulded frame with brass flowerhead paterae corner-blocks, the ribbed cheeks flanking bowed grate bars with delicate fret-cut apron below£3,000 -
Mid twentieth century glass birdcage chandelier,
£3,000Mid twentieth century glass birdcage chandelier,
having a decorative glass stem to top issuing scrolled arms with glass star details and teardrops above cut glass obelisks, leading to shaped arms terminating in lights with drip pans, further glass star and teardrop details and obelisks, the arms are heavily decorated with more drops terminating with glass ball finial.£3,000 -
Mid-twentieth century French Louis XVI style chandelier,
£3,000Mid-twentieth century French Louis XVI style chandelier,
with moulded clear, smoked and amethyst coloured glass shaped droplets hung all-over and baluster shaped glass ornament on the quarters, terminating with ball finial.£3,000 -
Lift shaft doors ex Oceanic House,
£2,850Lift shaft doors ex Oceanic House,
The cast iron pilasters, panels and frieze of the original Lift gates from the ground floor of the headquarters of the White Star Line, owner and operator of the RMS Titanic.£2,850 -
A Rake’s Progress after William Hogarth. A set of eight copper-engraved prints
£2,800 the set of eightA Rake’s Progress after William Hogarth. A set of eight copper-engraved prints
A Rake’s Progress is a series of eight satirical engravings depicting what Hogarth called ‘modern moral subjects’.The series tells the story of Tom Rakewell, a man who inherits a fortune from his city merchant father only to fritter it away on an extravagant lifestyle which ultimately leads to his downfall.£2,800 the set of eight -
Regency giltwood convex mirror,
£2,800Regency giltwood convex mirror,
having a well carved eagle on a rocky outcrop above interlocking leaf and scrolls leading to detailed circular frame including giltwood ball decoration, reeded ebonised slip and foxed mirror plate.£2,800 -
Late nineteenth century French Empire style hall lantern,
£2,650Late nineteenth century French Empire style hall lantern,
of pentagonal form with gilt swan mounts to each vertex and three light suspended fitting within.£2,650 -
Mid-twentieth century polychrome painted rocking horse,
£2,500Mid-twentieth century polychrome painted rocking horse,
with velvet upholstered saddle and horse hair mane and tail.£2,500 -
Large Victorian cast iron fire grate,
£2,500Large Victorian cast iron fire grate,
with arched backplate flanked by fleur de lys finials, the basket supported by substantial sceptre standards headed by dragons.£2,500 -
Large Louis XV style overmantle mirror,
£2,500Large Louis XV style overmantle mirror,
with painted and parcel gilt detailing, centred by decorative scallop shell detail leading to S-C scroll motifs and highly decorative frame of carved and scrolling foliate design. Large plate with desirable foxing. Early twentieth century.£2,500 -
Silver teal leaf patterned silk damask curtains,
£2,500 a pairSilver teal leaf patterned silk damask curtains,
with matching drapes, pelmet, and tasselled rope ties. Pelmet width 210 cm. Condition: lining in good order. Extensive sun bleaching and damage to the exposed edges of each pair leading to degradation of the silk. Edges will require taking in.£2,500 a pair -
Coral floral patterned silk damask curtains,
£2,500 a pairCoral floral patterned silk damask curtains,
with matching drapes, pelmet, and tasselled rope ties. Pelmet width 165 cm.£2,500 a pair -
Red floral patterned silk damask curtains,
£2,500 a pairRed floral patterned silk damask curtains,
with matching drapes and pelmet and tasselled rope ties. Pelmet width is 165 cm.£2,500 a pair -
English lead cistern,
£2,300 -
Marriage-a-la Mode, after William Hogarth. A set of six copper-engraved prints
£2,200 the set of sixMarriage-a-la Mode, after William Hogarth. A set of six copper-engraved prints
Marriage-a-la Mode is the story is of a marriage arranged by two self-seeking fathers – a spendthrift nobleman who needs cash and a wealthy City of London merchant who wants to buy into the aristocracy. It was Hogarth’s first moralising series of what he called ‘modern moral subjects’.£2,200 the set of six -
St George Street glass and brass Italian chandelier,
£2,000 eachSt George Street glass and brass Italian chandelier,
the six curved glass arms with brass collars and opal glass shades issuing from central brass stem.£2,000 each -
1960s Italian tubular brass chandelier,
£1,8501960s Italian tubular brass chandelier,
the twelve tubes alternatively illuminating ceiling and floor bound, PAT tested.£1,850 -
Little Boy Blue pantomime poster
£1,850 -
Small Victorian style copper Winsor lantern,
£1,650Small Victorian style copper Winsor lantern,
the spun finial above glazed and tapered body with single light fitment within, suspended by wrought iron bracket with scrolled support. Available painted or polished (unlacquered). Up to eight weeks lead time, please call for more information.£1,650 -
Foley Lodge, Hampstead by George Charlton
£1,600Foley Lodge, Hampstead by George Charlton
Foley Lodge is on East Heath Road, very close to the residence of George Charlton. Framed£1,600 -
Opening of Well House, by George Charlton
£1,600Opening of Well House, by George Charlton
In 1929 Charlton married Daphne a student at the Slade, he was 30 and she 19. They later purchased 40 New End Square, Hampstead, in 1932 which quickly became a hub of artistic activity. This painting shows the official opening of the flats. Framed£1,600 -
French early twentieth century style glazed lantern,
£1,500French early twentieth century style glazed lantern,
of typical form with spun top above tapered body, with four light fitting within, all painted dark green.£1,500 -
Market Day by George Charlton
£1,500Market Day by George Charlton
Evocative watercolour painted whilst he was teaching at the Slade in 1924. It shows Newbury Granary store, which is now in the middle of a car park. Framed£1,500 -
Walton-on-the-Naze by George Charlton
£1,500 -
Nineteenth century brass twelve light candle chandelier,
£1,500Nineteenth century brass twelve light candle chandelier,
the baluster stem above two tiers of scrolled foliate branches, each with dished drip pan and urn shaped nozzle, each branch interspersed with foliate reflector.£1,500 -
Life in London by Pierce Egan
£1,500Life in London by Pierce Egan
The names are Tom and Jerry are these days synonymous with the cat and mouse cartoons of 1940s, but to a nineteenth century ear, whether Regency or Victorian, they belonged to the rakish Corinthian Tom and his cousin from the country Jerry Hawthorne who, along with their friend Bob Logic, roamed the streets of the capital in search of a good time in Egan’s boisterous comic serial Life in London. Described as ‘a faithful Portraiture of High & Low Life’ from the West End to the East End, Pierce Egan’s comical monthly was one of the popular sensations of its day. The central characters, Tom, Jerry and Logic were well-heeled young men about town, keen to see ‘a bit of life’ in the poorer districts of London. Their escapades and misadventures were largely autobiographical, being drawn from the lives of Egan himself and his illustrators, George and Robert Cruikshank and Isaac Richard. One of the key achievements of Egan’s Life in London was using contemporary slang as the basis of its style. As a result of the success of Life in London, the names Tom and Jerry became proverbial for young men causing disorder.£1,500 -
Dutch style chandelier
£1,500Dutch style chandelier
the brass baluster column issuing two tiers of twelve aluminium foliate branches,
restored, rewired and PAT tested (with dents to ball)
£1,500 -
Italian mid-nineteenth century bronze bust of Lucius Verus,
£1,450 -
Octagonal Art Deco chrome lantern,
£1,450Octagonal Art Deco chrome lantern,
each face glazed with opaline glass, suspended from ceiling rose by four rods.£1,450 -
A number of 20th century copper winsor lanterns
£1,450 -
Nineteenth century style six light glass chandelier,
£1,400Nineteenth century style six light glass chandelier,
the inverted corona hung with pendants and beads above baluster stem, each arm with drip-pan hung with further pendants, re-wired and PAT tested.£1,400 -
Stable lantern with two simulated oil lamp fittings
£1,400 -
A Victorian brass club fender
£1,350A Victorian brass club fender
the brass moulded seat rail on circular section supports, raised on a moulded curb and steel hearth plate, with fire-iron hooks to each corner,£1,350 -
A Dutch style brass six branch chandelier,
£1,300 -
The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
£1,200The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£1,200 -
Philips’ A Map of Europe To Illustrate The Territorial Changes Since 1914
£1,200Philips’ A Map of Europe To Illustrate The Territorial Changes Since 1914
The Royal Geographical Society was founded in 1830 as an institution to promote the 'advancement of geographical science'.£1,200 -
Large early twentieth century French reverse painted caterers signboard,
£1,200Large early twentieth century French reverse painted caterers signboard,
mounted in later frame£1,200 -
Twelve light Flemish style chandelier,
£1,200 -
Twelve light Flemish style chandelier,
£1,200 -
Royal College of Surgeons sapele pilasters,
£1,200 a pairRoyal College of Surgeons sapele pilasters,
Roman Doric order, with fluted shafts. One pair available.£1,200 a pair -
Brass wall mounted lantern,
£1,200 -
English copper stable lantern,
£1,150 -
Stable back lamps,
£1,150 eachStable back lamps,
copper with detachable reflector plates. We currently have one in stock, if you would like more please contact us.£1,150 each -
A pair of wrought iron lanterns,
£1,000A pair of wrought iron lanterns,
of tapered hexagonal form with central suspended light fitting, mid Twentieth century.£1,000 -
Ten person reclaimed pine dining table
£975Ten person reclaimed pine dining table
constructed from Victorian floor boards, supplied 'raw'/sanded without a finish.£975 -
Ten person reclaimed pine dining table
£975Ten person reclaimed pine dining table
constructed from Victorian floor boards, supplied 'raw'/sanded and without a finish.£975 -
Georgian style brass hall lantern,
£950Georgian style brass hall lantern,
of hexagonal form, the knopped s-shaped brackets supporting body with cut-glass sunburst panels and single light fitment within.£950 -
Art Deco style pendant light,
£950 -
Edwardian oil on canvas of a reclining lady,
£925 -
Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
Rare example of a reversed engraving on glass, depicting Caroline of Brunswick, made c1821
£900Rare example of a reversed engraving on glass, depicting Caroline of Brunswick, made c1821
Reverse glass printing is a process whereby a print is transferred to a sheet of glass, varnished and coloured to resemble an oil painting.
The Prince of Wales, son of King George III was introduced to his potential bride, Caroline of Brunswick out of need for money as he was in great debt. Caroline famously, short, fat, ugly and never changed her undergarments, and rarely washed. Her body odour was overwhelming.
Caroline was very popular with the London public whilst King George was not. Every day when attending the House of Lords her coach was escorted by the cheering mob. George IV’s Coronation was to be the 29th April 1821 but Caroline was told that she would not be taking part in it. Undaunted Caroline arrived at the door of Westminster Abbey on the day demanding to be admitted, but the doors were slammed in her face.
She died 19 days after her frustrated attempt to get into the Abbey and was buried in Brunswick, and on her coffin was inscribed… ‘CAROLINE THE INJURED QUEEN OF ENGLAND’.
£900 -
Portrait of a Gentleman
£900 -
Randalls Mill by John Clevely,
£900 -
Highly decorative swag pelmets
£890 - £2'000.00 depending on sizeHighly decorative swag pelmets
in moss green silk with dusty rose rope and tassel trimmings. Decorative hold ups of matching rose detailed tassels. Three sections available.£890 - £2'000.00 depending on size -
Nineteenth century copper vat,
£850 -
Large gold plated Louis XV style appliques,
£850 each -
Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
£800Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
£800Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Figure by Georges Braque, Verve Vol 2 / No. 5-6.
£800Figure by Georges Braque, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
£800Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Pair of modern silver-plate wall lights,
£800 each pairPair of modern silver-plate wall lights,
the storm shades with silver rims. Two pairs available, one pair without silver rims.£800 each pair -
A French carved wood horse’s head,
£780 -
‘Fashion 69’ illuminated sign,
£750 -
Pair of nineteenth century French chenets,
£750Pair of nineteenth century French chenets,
each with large flaming classical urn with Satyr mask handles with garlands hung between, raised on strigilated plinth, the horiztontal supports with paterae details leading to a flaming torchere on fluted plinth.£750 -
A George V sterling silver salver,
£750A George V sterling silver salver,
made by R. Attenborough, retailed by Jays of Oxford St. London. Of circular shape with Chippendale pie crust border raised on scroll hoof feet.£750 -
A large giltwood pier mirror,
£700A large giltwood pier mirror,
the breakfront cornice with suspended balls above frieze with central panel, the plate flanked by barley twist columns.£700 -
A wrought iron demi-lune over door
£700 -
England and France, after William Hogarth published c1805
£650 the setEngland and France, after William Hogarth published c1805
William Hogarth produced these prints to boost public morale when an invasion from France seemed probable.
Hogarth depicts the weak and emaciated army ready to invade England. The alehouse sign reading 'Meagre Soup at the Royal Comb' points this up. There is also an officer roasting four frogs on his sword. A further soldier carries a banner which reads 'Vengeance with the good beer and good beef of England'. There is also a portly monk (obviously the church folk won't be hungry), and he carries plans for a monastery to be built at Blackfriars.
In contrast he believed the English to be always well fed and always merry, despite the evidence of widespread poverty. Here a recruitment officer is shown measuring up a volunteer. The man has to stand on tiptoe to reach the required height. A round of beef and some porter is on the table in front of some revellers, one of whom is drawing a pastiche of the French King, who is uttering the words "You take my fine ships you bede pirate you bede Teef me send my grand armies and hang you all Morbleu."
£650 the set -
A lion keystone
£650 -
Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
£600The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600
Featured Items
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18th Century French Engravings of Dogs
£175 each18th Century French Engravings of Dogs
Published for, Histoire naturelle, générale et particulière (1749–1804), which was the first modern attempt to systematically present all existing knowledge in the fields of natural history, geology, and anthropology.£175 each -
Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
Figure by Georges Braque, Verve Vol 2 / No. 5-6.
£800Figure by Georges Braque, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600