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  • Copper-engravings of Classical Sculptures

    17th century copper-engravings of Classical Sculptures

    £480 each Stock code: P00601 138
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    17th century copper-engravings of Classical Sculptures

    These prints are from a series showing the antique marble statues from the collection of Vincenzo Giustiniana, published by Joachim von Sandrart. These statues were on display in the 'Galleria Giustiniana del Marchese Vincenzo Giustiniani'. Sandrart assembled a team of mostly Dutch and French artists to produce the engravings for the Galleria, including Theodor Matham, Michael Natalis, Renier Persin, Cornelis Bloemaert, Claude Mellan, and Francois Perrier. The work was published in Rome circa 1636. Galleria served as a record of the antiquities and statues of the famous Giustiniani art collection. The Giustiniani brothers were exceedingly wealthy and descendants of the Genoese dynasty and became noted collectors of art. At the time of Vincenzo's death in 1637 he had amassed 600 paintings and 1800 ancient sculptures. Original copper-engraving, mounted and framed in black.
    Dimensions: 64cm (25¼") High, 47cm (18½") Wide, 2cm (0¾") Deep
    Stock code: P00601 138
    £480 each
  • Copper-engravings of Classical Sculptures

    17th century copper-engravings of Classical Sculptures

    £480 each Stock code: P00601 150
    Add to Wishlist

    17th century copper-engravings of Classical Sculptures

    These prints are from a series showing the antique marble statues from the collection of Vincenzo Giustiniana, published by Joachim von Sandrart. These statues were on display in the 'Galleria Giustiniana del Marchese Vincenzo Giustiniani'. Sandrart assembled a team of mostly Dutch and French artists to produce the engravings for the Galleria, including Theodor Matham, Michael Natalis, Renier Persin, Cornelis Bloemaert, Claude Mellan, and Francois Perrier. The work was published in Rome circa 1636. Galleria served as a record of the antiquities and statues of the famous Giustiniani art collection. The Giustiniani brothers were exceedingly wealthy and descendants of the Genoese dynasty and became noted collectors of art. At the time of Vincenzo's death in 1637 he had amassed 600 paintings and 1800 ancient sculptures. Original copper-engraving, mounted and framed in black.
    Dimensions: 64cm (25¼") High, 47cm (18½") Wide, 2cm (0¾") Deep
    Stock code: P00601 150
    £480 each
  • Copper-engravings of Classical Sculptures

    17th century copper-engravings of Classical Sculptures

    £480 each Stock code: P00601 71
    Add to Wishlist

    17th century copper-engravings of Classical Sculptures

    These prints are from a series showing the antique marble statues from the collection of Vincenzo Giustiniana, published by Joachim von Sandrart. These statues were on display in the 'Galleria Giustiniana del Marchese Vincenzo Giustiniani'. Sandrart assembled a team of mostly Dutch and French artists to produce the engravings for the Galleria, including Theodor Matham, Michael Natalis, Renier Persin, Cornelis Bloemaert, Claude Mellan, and Francois Perrier. The work was published in Rome circa 1636. Galleria served as a record of the antiquities and statues of the famous Giustiniani art collection. The Giustiniani brothers were exceedingly wealthy and descendants of the Genoese dynasty and became noted collectors of art. At the time of Vincenzo's death in 1637 he had amassed 600 paintings and 1800 ancient sculptures. Original copper-engraving, mounted and framed in black.
    Dimensions: 64cm (25¼") High, 47cm (18½") Wide, 2cm (0¾") Deep
    Stock code: P00601 71
    £480 each
  • The Sailor's Orphans,-0

    The Sailor’s Orphans,

    £380 Stock code: P00803
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    The Sailor’s Orphans,

    by William Ward, published circa 1800.
    Dimensions: 84cm (33") High, 71cm (28") Wide, 2cm (0¾") Deep
    Stock code: P00803
    £380
  • East End Gasworks sign

    East End Gasworks sign,

    £375 Stock code: 78225
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    East End Gasworks sign,

    c.1920-1940, galvanised aluminium
    Dimensions: 54cm (21¼") High, 84cm (33") Wide, 2cm (0¾") Deep
    Stock code: 78225
    £375
  • Across the gardens by Sheila Steafel,

    Across the gardens by Sheila Steafel,

    £350 Stock code: P01105
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    Across the gardens by Sheila Steafel,

    North-west London seen from the artist's home. Framed
    Dimensions: 70cm (27½") High, 60.5cm (23¾") Wide, 2cm (0¾") Deep
    Stock code: P01105
    £350
  • Portrait of a gentleman wearing a turban-0

    Portrait of a gentleman wearing a turban

    £325 Stock code: p00619
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    Portrait of a gentleman wearing a turban

    framed pastel on paper.
    Dimensions: 51.5cm (20¼") High, 43cm (17") Wide, 2cm (0¾") Deep
    Stock code: p00619
    £325
  • View of St. James's Palace,-0

    View of St. James’s Palace,

    £295 Stock code: P00799
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    View of St. James’s Palace,

    original copper engraving with hand-colour, published 1753.
    Dimensions: 57.5cm (22¾") High, 44cm (17¼") Wide, 2cm (0¾") Deep
    Stock code: P00799
    £295
  • Vitra, Eames collection original print,-0

    Vitra, Eames collection original print,

    £280 Stock code: 32094
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    Vitra, Eames collection original print,

    A black and white graphic Vitra, Eames collection original print in an oak frame.
    Dimensions: 87cm (34¼") High, 63cm (24¾") Wide, 2cm (0¾") Deep
    Stock code: 32094
    £280
  • East End Gasworks sign,

    East End Gasworks sign,

    £275 Stock code: 78226
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    East End Gasworks sign,

    c.1920-1940
    Dimensions: 54cm (21¼") High, 84cm (33") Wide, 2cm (0¾") Deep
    Stock code: 78226
    £275
  • Portrait miniature of a gentleman,-0

    Portrait miniature of a gentleman,

    £350 £250 Stock code: p00750
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    Portrait miniature of a gentleman,

    Watercolour, circa 1830.
    Dimensions: 17.5cm (7") High, 15cm (6") Wide, 2cm (0¾") Deep
    Stock code: p00750
    £350 £250
  • William Nicholson, London Types,-0

    William Nicholson, London Types,

    £245 Stock code: 31743_10
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    William Nicholson, London Types,

    From a set of framed original woodblock prints, c1898. With original mounted poem relating to the image on reverse. "When William Nicholson designed his stylish 'London Types' in 1898 - that together with his 'Almanac of Twelve Sports' and 'An Illustrated Alphabet' were to make his reputation as a printmaker - his son Ben, who was to eclipse him entirely in the history of British Art through his Modernist works, was only five years old. While working within the culture of the British popular print, William Nickerson deliberately chose to use the coarse-grained side of the wood block in his wood cuts, in a style that owed more to Toulouse Lautrec and Japanese precedents than to native visual traditions - which give these prints an innovative quality, even as they might seem to be celebrating unchanging roles in British society. Although not strictly 'Cries of London,' some of these characters are familiar from earlier series of prints stretching back over the previous centrury and, recognising this, Nicholson portrays them as quaint curiosities from another age. In each case, the ironic doggerel by W.E. Henley that accompanied them poked fun at the anachronistic nature of these social stereotypes, through outlining the ambivalent existence of the individual subjects - whether the street hawker displaced in Kensington far from his East End home, or the aristocratic lady at Rotten Row challenged by her suburban counterparts, or the drunken Sandwich-man displaying moral texts, or the fifteenth generation Bluecoat boy at Charterhouse School in Smithfield now moved out to Horsham." - The Gentle Author.
    Dimensions: 42.5cm (16¾") High, 39cm (15¼") Wide, 2cm (0¾") Deep
    Stock code: 31743_10
    £245

Featured Items

  • Brunswick lace panel-0

    Brunswick lace panel

    £336 per panel Stock code: t002
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    Brunswick lace panel

    Handloom weaving was brought to the Irvine Valley, Scotland, in the late 16th century. The craft of lace making was later introduced to the area in 1876 followed shortly by the invention of the power loom in 1877. Lace and Madras weaving continued to flourish there until the late 1970s. The struggle for companies to compete with the distribution of emerging European and Asian economies had a profound effect on the Scottish textile industry. Fortunately these patterned lace panels continue to be woven in Scotland on some of the last remaining Nottingham lace looms in the world. The manufacturing process is extremely labour intensive; the looms run at a very slow, controlled pace so as to give a high level of quality control. LASSCO has been working closely with the weavers to develop a unique collection of lace panels. These patterns were selected for use in, and especially woven for, the Saloon at Brunswick House, the 1758 Georgian Vauxhall home of the Duke of Brunswick that is now the LASSCO 'flagship'. With authentic Gainsborough patterns appropriately reminiscent of the Vauxhall Gardens style, the lower edges are worked in embroidered scallops. Currently two in stock.
    Dimensions: 300cm (118") High, 165cm (65") Wide
    Stock code: t002
    £336 per panel